Executive Producer
We follow Otto Baxter, a 35-year-old man with Down Syndrome, over six years, as he writes and directs a foul-mouthed, autobiographical comedy-horror-musical set in Victorian London. Otto, who has always struggled to explain how he feels, uses his film The Puppet Asylum to explore his birth, adoption and his epic battle with ‘The Master’ – an evil magician hell-bent on controlling his life. During the filmmaking process Otto’s birth mother dies and he finds himself confronting life in the real world, including his future. Otto’s filmmaker friends Bruce Fletcher and Peter Beard help him to bring his vision to life, but also learn more about his unique perspective on the world and how they can play a role in his future.
Screenplay
Norfolk, England, 1999. During three days, farmer Tony Martin is questioned by police following the violent death of Fred Barras, a teenage burglar who broke into his property, Bleak House, in Emneth Hungate, along with other intruder, Brendon Fearon, on the evening of August 20th of that year.
Director
Norfolk, England, 1999. During three days, farmer Tony Martin is questioned by police following the violent death of Fred Barras, a teenage burglar who broke into his property, Bleak House, in Emneth Hungate, along with other intruder, Brendon Fearon, on the evening of August 20th of that year.
Story
A single mum receives an anonymous text message, claiming her new boyfriend is having an inappropriate relationship with her 11 year old daughter. Over one weekend the accusation fractures the relationship between the couple.
Writer
A single mum receives an anonymous text message, claiming her new boyfriend is having an inappropriate relationship with her 11 year old daughter. Over one weekend the accusation fractures the relationship between the couple.
Director
A single mum receives an anonymous text message, claiming her new boyfriend is having an inappropriate relationship with her 11 year old daughter. Over one weekend the accusation fractures the relationship between the couple.
Director
CCTV operator Carl becomes frustrated when the police refuse to tackle a gang of drug dealers. He takes the law into his own hands with devastating repercussions.
Writer
CCTV operator Carl becomes frustrated when the police refuse to tackle a gang of drug dealers. He takes the law into his own hands with devastating repercussions.
Director
Ordinary young couple Gemma and Richard have just bought their first home and are expecting a baby. It's all very exciting, and the couple settles in nicely to their new pad. Except for the screaming and shouting they hear at all times of the night through their walls from the house next door. Listening more closely, pregnant Gemma is convinced that she's also hearing cries and smacking noises, which she is certain are the sounds of a toddler being abused. She and Richard have seen the child just once, but not since. Feeling morally obliged to act, the couple gather as much information as possible about what's going on next door. And after social services say there's nothing to worry about, Gemma becomes increasingly obsessed and she starts to spy on them in a way that raises questions about who is actually committing the crime — Gemma's neighbours, or Gemma?
Writer
Ordinary young couple Gemma and Richard have just bought their first home and are expecting a baby. It's all very exciting, and the couple settles in nicely to their new pad. Except for the screaming and shouting they hear at all times of the night through their walls from the house next door. Listening more closely, pregnant Gemma is convinced that she's also hearing cries and smacking noises, which she is certain are the sounds of a toddler being abused. She and Richard have seen the child just once, but not since. Feeling morally obliged to act, the couple gather as much information as possible about what's going on next door. And after social services say there's nothing to worry about, Gemma becomes increasingly obsessed and she starts to spy on them in a way that raises questions about who is actually committing the crime — Gemma's neighbours, or Gemma?
