Kang Eun-jin

Kang Eun-jin

Nacimiento : 1979-09-19,

Perfil

Kang Eun-jin

Películas

The Threshold of Death
Yeon-hwa
Dong-jin works at the immigration office, detecting illegal immigrants and entrants. He rarely meets his father, who has Alzheimer's disease, and it's awkward for him to meet his brother, Dong-seok, and his family. Nam-il, a colleague, uses his position to commit corruption and the youngest, Eun-seong, is too compassionate. One day, Dong-jin meets an ethnic Korean call girl named Yeon-hwa and starts to like her. She gets a call from a broker that he's withholding her niece, Soon-bok, who escaped from the North. Looking at Yeon-hwa and Soon-bok's sadness and innocent lives, Dong-jin's life begins to change. His father dies and Yeon-hwa kills herself. Dong-jin tries his best to save Soon-bok. He risks everything for her, but his efforts become worthless when Nam-il frames him for his irregularities and Eun-seong betrays him to protect their own family. Dong-jin loses everything and is left only with his search for Soon-bok.
Red Family
Chang-soo's Mother
Based on a screenplay by the prolific Kim Ki-duk. Two families live next door to each other in identical suburban white houses with green lawns. One family is from South Korea, the other is a fake family assembled from North Korean spies. The North Koreans must strictly obey every order from their regime, who holds their real families hostage. The problem is that the families affect each other and after a while, the political rift in the North Korean house becomes apparent. Naturally, there also occurs cross-border romantic entanglements between old and young alike.
Pietà (Piedad)
Myeong-ja
Drama centrado en dos personajes, un cobrador de préstamos solitario y sin escrúpulos (Lee Jung-Jin) y una mujer (Jo Min-Su) que se presenta un día pidiéndole disculpas por haberle abandonado, asegurando que es su madre biológica.
The Journals of Musan
Sook-young
North Korean defector Seung-chul is a refugee living on the harsh edges of Seoul. Bewildered by exploitative employers and cynical urbanites, he’s no good for business. A powerful realism underscores this prize-winning feature debut about the struggle to survive in a strange new world.