Nikola Bulatović

Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s home with her. With camp elegance, she contentedly arranges ikebana in the luxuriant, baroque shade of her garden. The surprisingly shrill ringtone of her telephone disrupts the idyllic scene and Kristina reels off the prices of her services to the caller. Tracing an inner journey in the secret calm of churches and forests, the film also opens up a space of confession in its core, in frontal shots where Kristina tells her story. It does not, however, follow the path of repentance. On the contrary, it asserts the profound freedom of a modern woman, captured majestically in a bold portrait with strokes inspired by iconostases that tend towards the divine.

Statistics show that during his professional career every railroad engineer working for railways, unintentionally kills 15 to 20 people. This is a story about the innocent mass murderers and their lives.

Sitting in a bar, Petar Lard decides to ring up his former sweetheart.

When the war in Yugoslavia breaks out, an army officer who's ethnic Slovenian yet still believes in Yugoslavia, decides to move to Belgrade. The country continues to fall apart and so does his family failing to find acceptance there.

Comedy about the life of a modern village family and many neighbors of theirs, dealing with Serbian mentality at the turn of the XXI century. Based on TV series of the same title.