Amrou Al-Kadhi

Como resultado de una turbulenta relación con un hombre mayor carismático y manipulador, Julia empieza a deshacerse de su amor por él a través de la realización de su película de graduación, separando los hechos de su elaborada ficción. 'The Souvenir Part II' de Joanna Hogg es una historia brillante sobre el primer amor y los años de formación de una mujer joven, un retrato de la artista que trasciende los detalles de la vida cotidiana, una mezcla única y alquímica de memorias y fantasía.

Eddie Brock y su simbionte Venom todavía están intentando descubrir cómo vivir juntos cuando un preso que está en el corredor de la muerte se infecta con un simbionte propio.

Millennials y emprendedores, Drew y Max se dedican a transmitir exorcismos en directo, aunque, en realidad, las posesiones no son nada más que una puesta en escena. Hoy el destino les tiene reservada una vuelta de tuerca: la actriz protagonista del show ha sido poseída por un demonio de verdad, que alberga misteriosas intenciones. Para colmo, la víctima de la posesión es la novia de Drew.

Set in the undisclosed future where advanced technology means less privacy, we meet Nathan rapt with grief on the morning his Chief Happiness Officer is dispatched to help him.

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo… Abhishek Verma's animated "The Fish Curry"… Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher… Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek… Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille… Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James… Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack… David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd… Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell… and Marco Alessi's "Four Quartets" with Laurie Kynaston.

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo… Abhishek Verma's animated "The Fish Curry"… Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher… Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek… Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille… Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James… Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack… David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd… Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell… and Marco Alessi's "Four Quartets" with Laurie Kynaston.

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo… Abhishek Verma's animated "The Fish Curry"… Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher… Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek… Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille… Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James… Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack… David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd… Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell… and Marco Alessi's "Four Quartets" with Laurie Kynaston.

En esta nueva aventura de acción real, el niño que se embarcó en innumerables aventuras en el bosque de los Cien Acres con su banda de animales de peluche, ha crecido y… ha perdido el rumbo. Ahora les toca a sus amigos de la infancia aventurarse en nuestro mundo y ayudar a Christopher Robin a recordar al niño cariñoso y juguetón que aún tiene dentro.

A second-generation teen searches for a way to express their non-binary identity.

A second-generation teen searches for a way to express their non-binary identity.

A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.

A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.

A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.

A portrait of Victoria Sin, and the transformative power of drag.

A portrait of Victoria Sin, and the transformative power of drag.

Commissioned by the BBC & BFI, CLASH is a short experimental documentary critiquing Britain's obsession with period dramas, and how they erase the diverse reality of Britain today. This film - part parody, part candid interview - is a response to Humphrey Jennings' 1942 'LISTEN TO BRITAIN', a documentary used to propel a myth of national unity. CLASH, through the perspectives of underrepresented queer people of colour, critiques the myths we still tell ourselves on screen. Through candid interviews and staged period-drama sequences with our subjects - involving a hobby horse race in East London - our film explores the issues surrounding nostalgic heritage cinema, and how it erases the diverse landscape of Britain today.

Commissioned by the BBC & BFI, CLASH is a short experimental documentary critiquing Britain's obsession with period dramas, and how they erase the diverse reality of Britain today. This film - part parody, part candid interview - is a response to Humphrey Jennings' 1942 'LISTEN TO BRITAIN', a documentary used to propel a myth of national unity. CLASH, through the perspectives of underrepresented queer people of colour, critiques the myths we still tell ourselves on screen. Through candid interviews and staged period-drama sequences with our subjects - involving a hobby horse race in East London - our film explores the issues surrounding nostalgic heritage cinema, and how it erases the diverse landscape of Britain today.

Embark on a magical journey through time with Boys On Film 15: Time & Tied — featuring a brand new selection of sensational gay British short films that showcase some of the UK's best emerging talent. This compilation features nine complete films: Lloyd Eyre-Morgan's "Closets" starring Tommy Knight and Ceallach Spellman; Brian Fairbairn & Karl Eccleston's "Putting On The Dish" starring Steve Wickenden and Neil Chinneck; Mitchell Marion's "G O'Clock" starring Marc Rovira Cenar and Phillip Weddell; Charlie Parham's "Nightstand" starring Nicholas Gleaves and Amrou Al-Kadhi; Simon Anderson's "Morning Is Broken" starring Matthew Tennyson, Nigel Allen and Jack Hawkins; Tom Frederic's "Sauna The Dead: A Fairy Tale" starring himself and Kumar Muniandy; Leon Lopez's "CrossRoad" starring Marc Rovira Cenar, Ashley Campbell, and Calum Ewan Cameron; Jake Graf's "Dawn" starring Nicole Gibson and Harry Rundle; and Kristen Bjorn's "Trouser Bar" starring Denholm Spurr, Scott Hunter, and Zac Renfree.

Embark on a magical journey through time with Boys On Film 15: Time & Tied — featuring a brand new selection of sensational gay British short films that showcase some of the UK's best emerging talent. This compilation features nine complete films: Lloyd Eyre-Morgan's "Closets" starring Tommy Knight and Ceallach Spellman; Brian Fairbairn & Karl Eccleston's "Putting On The Dish" starring Steve Wickenden and Neil Chinneck; Mitchell Marion's "G O'Clock" starring Marc Rovira Cenar and Phillip Weddell; Charlie Parham's "Nightstand" starring Nicholas Gleaves and Amrou Al-Kadhi; Simon Anderson's "Morning Is Broken" starring Matthew Tennyson, Nigel Allen and Jack Hawkins; Tom Frederic's "Sauna The Dead: A Fairy Tale" starring himself and Kumar Muniandy; Leon Lopez's "CrossRoad" starring Marc Rovira Cenar, Ashley Campbell, and Calum Ewan Cameron; Jake Graf's "Dawn" starring Nicole Gibson and Harry Rundle; and Kristen Bjorn's "Trouser Bar" starring Denholm Spurr, Scott Hunter, and Zac Renfree.

An unsettling portrait of a destructive three night affair between two men - one is gay, lost and adolescent, the other is married to a woman and middle-aged. Set in the heart of Soho, a fracturing queer landscape, Nightstand is a whirlwind of repressed yearnings and urban loneliness.

An unsettling portrait of a destructive three night affair between two men - one is gay, lost and adolescent, the other is married to a woman and middle-aged. Set in the heart of Soho, a fracturing queer landscape, Nightstand is a whirlwind of repressed yearnings and urban loneliness.

Basada en hechos reales. Tras el asesinato de varios atletas israelíes por el grupo terrorista "Septiembre negro" en los Juegos Olímpicos de Múnich de 1972, un agente especial del Mossad tuvo que ejecutar una misión altamente secreta: asesinar a los responsables.

Layla is a struggling British-Palestinian drag performer whose confident façade hides their desperate desire for love. When their performance at a belittling corporate Pride event turns into a transgressive takedown, they are surprised to win the affection of Max, a charming, successful white gay man who is bewitched by Layla's power on stage. It sparks a thrilling romance from across the aisles of the LGBTQ+ community, as both Layla and Max negotiate how desire and identity can sometimes collide.

Layla is a struggling British-Palestinian drag performer whose confident façade hides their desperate desire for love. When their performance at a belittling corporate Pride event turns into a transgressive takedown, they are surprised to win the affection of Max, a charming, successful white gay man who is bewitched by Layla's power on stage. It sparks a thrilling romance from across the aisles of the LGBTQ+ community, as both Layla and Max negotiate how desire and identity can sometimes collide.