Cinematography
The sculptor and protector of finncattle Miina Äkkijyrkkä is a person who provokes strong passions. Miina is an exceptional woman who has done both exceptionally courageous and exceptionally strange deeds. She is passionately hated - but also admired and loved. At the Skatta farm in Helsinki, Äkkijyrkkä breeds finncattle and fights for the existence of the farm. In addition to conflicts over livestock, Miina’s disagreements with animal welfare authorities and police are escalating. Miina is arrested and her dogs are taken into custody. Miina faces charges about opposing the police and a trial is ahead. At the same time as Miina is struggling with the authorities, she is building a sculpture of a Holy Cow from car wrecks, which she is erecting in Helsinki's Ruoholahti.
Cinematography
Story about the monetary problems of a movie producer and the pain and joy of film-making
Editor
A man suffering from paranoia and delusions is convinced that the city water source is contaminated
Screenplay
A man suffering from paranoia and delusions is convinced that the city water source is contaminated
Director
A man suffering from paranoia and delusions is convinced that the city water source is contaminated
Writer
Teenager Erik returns from Paris to Finland in a rowboat and is accosted by a gang of youths in the countryside. He walks to Helsinki, returns to his parents' home and his old high school filled with angry radical teens who, typically for the era, consider the teacher-imposed discipline as another form of capitalist imperialism. Almost reluctantly Erik drifts together with Annika, a girl from a wealthy family, and starts experimenting with sex and marijuana. In the same nonchalant manner Erik gets involved in demonstrations and school politics which escalate into a violent school strike leading to police intervention and heavy sanctions.
Director
Teenager Erik returns from Paris to Finland in a rowboat and is accosted by a gang of youths in the countryside. He walks to Helsinki, returns to his parents' home and his old high school filled with angry radical teens who, typically for the era, consider the teacher-imposed discipline as another form of capitalist imperialism. Almost reluctantly Erik drifts together with Annika, a girl from a wealthy family, and starts experimenting with sex and marijuana. In the same nonchalant manner Erik gets involved in demonstrations and school politics which escalate into a violent school strike leading to police intervention and heavy sanctions.
