Emanuela Fanelli

Altiero Molino is a twenty-six-year-old digital entrepreneur who’s returning to Ventotene with his model husband in order to gather his old friends together around his ailing father so as to treat him to one last holiday in this place which is so special to him. He didn’t expect to find the island all abuzz with Sabry Mazzalupi’s marriage to her partner Cesare. This young woman, who’s the awkward daughter of Roman shopkeeper Ruggero, has become an online celebrity and her wedding is a global event attracting the media as well as mysterious emissaries from the new political regime. These two tribes of vacationers, two seemingly irreconcilable sides of Italy, are destined to come together during the Ferragosto holiday for an ultimate showdown.

Delia is a wife and a mother. These are the roles that define her and that is enough for her. It's the second half of the 1940s in a Rome torn between the positive push of liberation and the miseries of the war just behind them. It is springtime and the whole family is in turmoil over the impending engagement of the beloved first-born Marcella. The arrival of a mysterious letter, however, will ignite Delia's courage to overturn her plans and imagine a better future, not only for her.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

Biagio, the cute red puppet from the children's program Sunday Club, is the protagonist of this documentary about his life. Intentioned to build a reputation as a drama director - and shedding the label of television entertainer for the little ones - he directs a movie about drug addiction and life in the suburbs, but the audience doesn't take him seriously.

A pesar de conocerse desde la infancia, Filippo (Alessandro Gassman) y Ernesto (Marco Giallini) están enfrentados en todo. Su forma de ser de y de pensar es muy diferente. Mientras el primero es extrovertido, pasional y pasa las horas en las redes sociales, el segundo es educado, severo y desprecia internet y el mundo tecnológico. Los dos son profesores de secundaria y por casualidad se encontrarán dando clase en la misma escuela. Sus puntos de vista opuestos les conducirán inevitablemente a un nuevo choque. Y el reto será que Filippo no podrá utilizar por un tiempo determinado ni smartphone ni ordenador, y en cambio Ernesto, que jamás los ha usado, deberá utilizarlos.

Luciana is a factory worker married to the love of her life. She is living the simple and quiet life she’s always desired: she works and she is deeply in love with her husband Stefano, even if he doesn’t always have a job and they both need to struggle to keep on going. They are happy and always on each other’s side, but shortly after she finds out she’s pregnant, she gets fired and her world starts falling apart. After having tried to have a baby for years, the joy of impending motherhood lasts only a few months. Begging for help but with no one ready to listen to her, completely desperate and shattered, Luciana decides to kidnap the managing director of her former company, asking for the justice she deserves.

Años 90, en las afueras de Roma hacia Ostia, mismo lugar donde acontecían los films de Pasolini. Sus personajes, en los 90, parecen pertenecer a un mundo que gira alrededor del hedonismo. Un mundo donde el dinero, coches de lujo, clubes nocturnos, cocaína y drogas sintéticas son fáciles de encontrar. Un mundo donde Vittorio y Cesare, veinteañeros, van en busca de su propio éxito. El inicio de su existencia tendrá un alto precio para Vittorio: para salvarse a sí mismo, abandona a Cesare, que inexorablemente se hundirá. Pero el vínculo que los une es tan fuerte que en realidad Vittorio nunca le abandonará, siempre con la esperanza de afrontar el futuro con una nueva mirada. Juntos.