Horacio, an old smuggler hiding from the law, lives in a surreal, baroque apartment with Petulia, his daughter, and Milton, his favorite thug. While he keeps his daughter locked up in her bedroom, Horácio flirts with his goon, for whom he has had repressed feelings for years. However, Milton's love for a mysterious woman, and Petula's attempts to free herself with the help of a former lover, clash with Horacio's tyrannical whims.
Renata, while waiting for her friend's arrival at a restaurant, is faced with a family celebrating the pregnancy of Márcia and her husband. The discovery of the baby's gender brings to light an important reflection.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Immersed in the lively night scene in the heart of São Paulo, Augusta Street, Daniela Glamour Garcia leads us in this queer chronic about the conflicts of whom decided to live on the margins of what is considered "normal". Could the rules, limits, classes and categories that are imposed on us make us feel confortable within ourselves?
