Silvia Gallerano

Leonida Riva es un veterano de guerra -sombrío y solitario- que alguna vez fue capitán de las fuerzas especiales del ejército. La vida y el trabajo han separado a Riva de su familia. Su hijo mayor, Mattia, nunca lo ha perdonado mientras que su hija, Teresa, lo ama incondicionalmente. Sin embargo, un trágico suceso obligará a Leonida a transformarse 'la bestia' que pensó que había enterrado en el pasado.

Tres hombres italianos planean irse al este de Europa para sacar más partido a sus escasas pensiones.

After the death of his estranged father, professional rainbow-watcher Stefano finds out he has a 13-year-old half-brother, and that he must become his legal guardian to receive the inheritance.

A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.

Karole and Ali love each other and dream of starting a family together. They soon realize it won't be as simple as they'd hoped, and as their enthusiasm falters their love is challenged. In order to overcome the obstacles, they must believe in the power of their desire and support of their loved ones. If they can do that, miracles will happen…

Nina deja Milán para mudarse a un pequeño pueblo de Lombardía. Allí encuentra trabajo en una prestigiosa clínica para ancianos donde trabajan muchas otras mujeres, pero que esconde un oscuro secreto.

Maurizio, tiny, reckless and full of energy, grew up in the poorest outskirts of Reggio Calabria, he argues with spiteful hens, speaks to wise donkeys and fights for his dream: to play the snare drum in the neighbourhood band.

La Merda is a poetic stream of consciousness where it is unleashed the bulimic and revolting public confidence of a "young" and "ugly" woman as she struggles with obstinacy, resistance and courage for her own celebrity breakthrough in the society of Thighs and Liberty. La Merda is driven by a desperate attempt to pull ourselves out of the mud, the latest products of the cultural genocide aptly described by Pier Paolo Pasolini since the modern consumer society began taking form. A totalitarianism, according to Pasolini, even more repressive than the one of the Fascist era, for capable of crushing us softly.

Vito y Elsa, una pareja de clase media, se encuentran con dificultades que afrontar a raíz del despido de Vito de su antiguo y bien renumerado trabajo. Será difícil afrontar lo que les viene encima.