Producer
Cantonese adaptation of Daphne du Maurier's novel Rebecca.
Line Producer
Though her marriage with rich businessman Chan Hak-lit is crumbling, Anna Poon refuses to accept her childhood sweetheart Wong Kei-shu's courtship. Anna's younger sister Mei-na has a crush on Shu and treats Lee Man coldly. When she sees Anna being with Shu, she taunts Anna with stealing who she likes. Anna is hurt and goes back to Chan's house. Chan holds a house party and invites business celebrities. Shu attends it and when tells Anna he loves her when they dance. Anna rejects him and tells him never to see her again. Chan goes to the racecourse. When Shu falls down from a horse, Anna faints. Chan asks Anna what her relationship with Shu is. He warns her not to have any wrongdoing and ruin his reputation. Shu is fine and asks Anna to meet for the last time. Anna cannot turn down him and goes to meets him. Lit miscomprehends the situation and files a divorce. He even forbids Anna to see their daughter. A distressed Anna becomes a victim of love in a conservative society.
Production Manager
Chinese Opera from Hong Kong directed by Lau Fong.
Writer
Chinese Opera from Hong Kong directed by Lau Fong.
Director
Chinese Opera from Hong Kong directed by Lau Fong.
Screenplay
Mok Ming moves into Po Tak-yan’s old mansion. Po's mistress, the songstress Tsi Law-heung, has died in it. Her spirit haunts the mansion as she is unburied. Mok sees her ghost and notes that she resembles his late wife Kit-ching. Mok dreams that his wife has possessed Tsi's body in return. Mok asks Uncle Tak to take him to the coffin. Tsi resurrects as Kit-ching. Mok accepts that his wife has returned from death, but he is suspicious. He brings her to a nightclub, where they chance upon Po and his mistress, Chan Mei-chu. Po is suspicious. Mok explained that his wife has returned through Tsi's body. Two reporters are there and the news is reported in the papers. To resolve his suspicions, Po goes to the old mansion. He meets Mok, his “wife,” and Uncle Tak. The wife denies that she is Tsi. Po retrieves a pistol and goes to confront the woman. Mok intervenes. In the struggle, Po falls down the railing to his death, but Tsi is shot. Now it is time for her to tell Mok of her past.
Director
Mok Ming moves into Po Tak-yan’s old mansion. Po's mistress, the songstress Tsi Law-heung, has died in it. Her spirit haunts the mansion as she is unburied. Mok sees her ghost and notes that she resembles his late wife Kit-ching. Mok dreams that his wife has possessed Tsi's body in return. Mok asks Uncle Tak to take him to the coffin. Tsi resurrects as Kit-ching. Mok accepts that his wife has returned from death, but he is suspicious. He brings her to a nightclub, where they chance upon Po and his mistress, Chan Mei-chu. Po is suspicious. Mok explained that his wife has returned through Tsi's body. Two reporters are there and the news is reported in the papers. To resolve his suspicions, Po goes to the old mansion. He meets Mok, his “wife,” and Uncle Tak. The wife denies that she is Tsi. Po retrieves a pistol and goes to confront the woman. Mok intervenes. In the struggle, Po falls down the railing to his death, but Tsi is shot. Now it is time for her to tell Mok of her past.
