Herself
Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.
Editor
Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.
Producer
Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.
Writer
Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.
Director
Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.
Self
Documental que recorre la evolución del movimiento artístico feminista surgido en Estados Unidos durante la década de 1960. Su directora, Lynn Hershman Leeson fue partícipe activa de este movimiento y ha pasado 42 años documentándolo. A través de entrevistas íntimas, obras de arte provocativas y fragmentos de vídeos raramente vistos hasta ahora, nos acerca al que muchos historiadores e historiadoras consideran el movimiento artístico más significativo de finales del siglo XX.
Self
The film examines the case of artist and professor Steve Kurtz, a member of the Critical Art Ensemble (CAE). The work of Kurtz and other CAE members dealt with genetically modified food and other issues of science and public policy. After his wife, Hope, died of heart failure, paramedics arrived and became suspicious when they noticed petri dishes and other scientific equipment related to Kurtz's art in his home. They summoned the FBI, who detained Kurtz within hours on suspicion of bioterrorism.
