Producer
A road trip of sorts between the Amazon forest in Brazil and the controlled nature of Belgium.
Co-Producer
Pinky está huyendo. Por la noche, las calles vacías huelen a apocalipsis y la ciudad parece estar en llamas. Los narcóticos se arremolinan por las venas y el aire. Habiéndose liberado de las garras de una secta liderada por un cierto “padre” y decidido a tomar su destino en sus propias manos, ahora se encuentra encerrado en una fábrica ilegal de camisetas, rodeado de pinturas, consignas y prensas térmicas. Pinky busca la luz al final del túnel, pero los fantasmas le bajan por el cuello. Está corriendo por su vida y Colombia está en llamas. Pero Colombia está viva.
Co-Producer
In the year 74 BC, Titus Lucretius Carus, a young man with bold ideas, tries to convince his friend Memio that moving to the city of Rome to study is a total waste of time. Years later, Lucretius returns from the capital. Trying to find a balance between his explanations of the natural world and his emotional experience of it, Lucretius lives a deep and troubled passion with his foreign wife Isa.
Writer
America, a famous Brazilian actress, transforms her existential crisis into a show watched closely by her biggest fan.
Editor
Invented by the post-New Wave, the exercise is well-known: put a filmmaker in the frame, make him talk about his career, evoke his admirations, rummage in his methods, and add words to silences, spoken images to seen images. It’s always very instructive. As is the case here too. Chantal Akerman, passing through South America, talks about herself for an hour, and it’s fascinating. Even if her recalling of the relationship between the cinema and time makes up only a few rare minutes.
