Producer
A road trip of sorts between the Amazon forest in Brazil and the controlled nature of Belgium.
Co-Producer
실화를 바탕으로 한 이야기. 콜롬비아의 도시 메데인. 핑키는 도망치고 있다. 교주의 지배로부터 벗어나 마침내 자유를 찾은 것이다. 지낼 장소와 티셔츠 공장에서의 일자리를 구한 그는 자신만의 신념에 사로잡혀 모든 것에 의문을 품기 시작한다. 자신의 부서진 삶의 조각들을 다시 끼워 맞추려고 하자, 폭력적인 기억들이 그를 괴롭히고 복수를 꿈꾸게 한다.
(2021년 제22회 전주국제영화제)
Co-Producer
In the year 74 BC, Titus Lucretius Carus, a young man with bold ideas, tries to convince his friend Memio that moving to the city of Rome to study is a total waste of time. Years later, Lucretius returns from the capital. Trying to find a balance between his explanations of the natural world and his emotional experience of it, Lucretius lives a deep and troubled passion with his foreign wife Isa.
Writer
America, a famous Brazilian actress, transforms her existential crisis into a show watched closely by her biggest fan.
Editor
Invented by the post-New Wave, the exercise is well-known: put a filmmaker in the frame, make him talk about his career, evoke his admirations, rummage in his methods, and add words to silences, spoken images to seen images. It’s always very instructive. As is the case here too. Chantal Akerman, passing through South America, talks about herself for an hour, and it’s fascinating. Even if her recalling of the relationship between the cinema and time makes up only a few rare minutes.
