Editor
La premisa es simple, el resultado tiene una miga nutritiva y consistente. La llegada y la partida de un barco a Pasajes, municipio del fiordo natural que acoge el principal puerto pesquero e industrial de Guipuzcoa, sirven de paréntesis navieros para enmarcar todo lo que allí ocurre en ese lapso de tiempo. Observación paciente y encuadres precisos para captar el trabajo, los cruceros, los parroquianos, los visitantes, el paisaje, el presente y la memoria de un lugar marcado por su pasado industrial, en el que sin embargo la vida sigue. Y la nave va.
Director
"Dealing with the tensions between work and leisure, nature and culture, the industrial fabric and community, these three films demonstrate how the supposed opposition between these pairs gives way to a subtle interweaving that generates an unusually complex portrait of a social group. Open iron pit mines in the Austrian Alps, hydropower stations in the Atlantic-Pyrenees, and other mountainous locations in the Basque Country harbor floating concert stages, helicopter and motorbike TV transmission units, exhausted bike riders and shouting aficionados, enduro racers, rally cars, flying models, and do-it-yourself soap boxes. All of these mechanized bodies in direct contact with landscapes actively transfigure the territory." Anthology Film Archives on the Vázquez/Arrieta films.
Director
"Dealing with the tensions between work and leisure, nature and culture, the industrial fabric and community, these three films demonstrate how the supposed opposition between these pairs gives way to a subtle interweaving that generates an unusually complex portrait of a social group. Open iron pit mines in the Austrian Alps, hydropower stations in the Atlantic-Pyrenees, and other mountainous locations in the Basque Country harbor floating concert stages, helicopter and motorbike TV transmission units, exhausted bike riders and shouting aficionados, enduro racers, rally cars, flying models, and do-it-yourself soap boxes. All of these mechanized bodies in direct contact with landscapes actively transfigure the territory." Anthology Film Archives on the Vázquez/Arrieta films.
Director
"Dealing with the tensions between work and leisure, nature and culture, the industrial fabric and community, these three films demonstrate how the supposed opposition between these pairs gives way to a subtle interweaving that generates an unusually complex portrait of a social group. Open iron pit mines in the Austrian Alps, hydropower stations in the Atlantic-Pyrenees, and other mountainous locations in the Basque Country harbor floating concert stages, helicopter and motorbike TV transmission units, exhausted bike riders and shouting aficionados, enduro racers, rally cars, flying models, and do-it-yourself soap boxes. All of these mechanized bodies in direct contact with landscapes actively transfigure the territory." Anthology Film Archives on the Vázquez/Arrieta films.
Camera Operator
A group of friends share a cinematographical experience in a particular region of Spain, Galicia. The goal is simple: to film what they like, without preconceived ideas about what should be filmed. They want their images to reflect the feelings that unite them with the people they find along the way.
Second Assistant Camera
Una chica española es enviada a estudiar a un internado londinense. Su carácter retraído le dificultará el trato con sus compañeras, de vida más disoluta dentro de lo posible allí. Hará buenas migas con dos de ellas, con las que saldrá por Londres a escondidas de la directora. De este modo, empezará a frecuentar compañías poco deseables, hasta el punto de caer en una red de pornografía internacional.
