Jonathan Caouette

A discontented New York family woman is unexpectedly called to Tuscany to execute her estranged mother's will. There, she must decipher visions of her forgotten childhood and confront a spectral "Lady in Red," whose dark secret unlocks a terrifying destiny.

How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

Cuenta la historia de Djuna, una bella vampira que trata de resistirse al encanto de Paulo, de profesión guionista, pero finalmente sucumbe. Más tarde, cuando su hermana Mimi llega inesperadamente, peligrarán tanto su historia de amor como la comunidad vampira, la cual se verá amenazada por la extinción.

A documentary on Jonathan Caouette's cross-country road trip with his mentally ill mother.

Película de episodios en la que conocidos autores cinematográficos plantean sus ideas acerca de los sueños.

"I am not from this place," declares a French cowboy. An old toothless man asks, "Do you know why you're here?" These shape-shifting personalities infect young children with an evil signal in the form of a Dutch TV show. The red-eyed girls and boys believe they can now become other people and monsters, much to their delight.

"I am not from this place," declares a French cowboy. An old toothless man asks, "Do you know why you're here?" These shape-shifting personalities infect young children with an evil signal in the form of a Dutch TV show. The red-eyed girls and boys believe they can now become other people and monsters, much to their delight.

All Tomorrow's Parties is a 2009 documentary film directed by All Tomorrow's People and Jonathan Caouette covering the history of the long running All Tomorrow's Parties music festival. Described as a "post-punk DIY bricolage", the film was created using footage generated by the fans and musicians attending the events themselves, on a multitude of formats including Super8, camcorder and mobile phone. All Tomorrow's People is a name representing the contributions of these attendees.

A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.

Sofia (Sook-Yin Lee) es una sexóloga que no ha tenido nunca un orgasmo; hace años que simula placer con su marido Rob (Raphael Barker). Conoce a Severin (Lindsay Beamish), una dominadora que se presta a ayudarla. Dos pacientes de Sofia, James (Paul Dawson) y su compañero Jamie (PJ DeBoy), piensan en incluir a un tercero, Ceth (Jay Brannan), en su relación sexual, pero Jamie no acaba de decidirse. Todos se encuentran en "Shortbus", un lugar fuera de lo común donde se mezcla la política, el arte y el sexo.

Fat Girls is an original off-beat comedy feature. It focuses on Rodney Miller, not your typical Texas high school student...he is a theater lover and his ultimate dream is to be on Broadway. Awkward and shy, he doesn't have many people to talk to in his small Texas town that understand him. He ends up finding what he was looking for in his theater teacher, Mr. Cox

Este documental repasa cronológicamente las películas norteamericanas de temática gay/lésbica, desde los precursores de mediados del siglo XX (como Fireworks, de Kenneth Anger) hasta documentales como Tarnation (Jonathan Caouette, 2004) o producciones “major” como Brokeback Mountain (2005). Entre los que opinan están directores como Todd Haynes (Velvet Goldmine), Gus Van Sant (Mi Mundo Privado), John Cameron Mitchell (Shortbus), Ang Lee (Brokeback) y John Waters (Pink Flamingos).

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

A mysterious frequency seeps its way into the airwaves. Felt around the globe, its terrifying effects transform the fabric of reality.

A mysterious frequency seeps its way into the airwaves. Felt around the globe, its terrifying effects transform the fabric of reality.

A mysterious frequency seeps its way into the airwaves. Felt around the globe, its terrifying effects transform the fabric of reality.