Jean Antoine Charest

Claire Gagner, a graduate student in psychology at McGill University, has inherited a large sum of money after learning the truth about her French family roots. But unknown persons are at work to make sure Claire does not keep her inheritance. Who are these people and what are their motives? And who is this mysterious man, André, who suddenly comes into her life? Is he there to help her or does he have ties to these unknown persons? What happens to Claire and what she learns about the people around her will keep you watching to the very end.

Vera and Zak meet by chance and it's crazy love. The two lovebirds settle in a decayed house at the end of a row, where little Yanna comes into the world. They raise their child in a spirit of total freedom, without constraint. Zak often leaves his family to find his family, gypsies who do not like him to meet a woman from the city. When Vera's parents arrive unexpectedly at home, they will jeopardize the already fragile balance of the trio.

Rémy is always between two planes, travels to Shanghai on business. During this trip, he takes the opportunity to cheat Dominique first with a woman, then with a man. Upon his return, his wife puts him out after showing him more than compromising photos of his Asian aspirations.

Montreal, primavera de 1966. Jean Corbo tiene 16 años. Su madre es de Quebec y su padre es italiano, por lo que Jean se debate entre dos lealtades. Después de haber hecho amistad con dos jóvenes militantes de la extrema izquierda, se une al Frente de Liberación de Quebec, un grupo radical clandestino.

Manu lives in a youth center. During his weekend away, his mother leaves him with his father and, as always, Manu witnesses the abuse his father inflicts on his younger brother. His desperation prompts him to ask his mother to get him out of this situation.

Jean Marc intenta evadirse de su mediocre vida por medio de la imaginación. Consigue así entrar en un mundo de fantasía donde es un gran héroe, un caballero de brillante armadura, una estrella del escenario y de la pantalla y un novelista de éxito que tiene a las mujeres rendidas a sus pies. En la vida real es un chupatintas, un marido insignificante y un padre fracasado que fuma a escondidas. Pero, a pesar de todo, no sucumbe a la fantasía y decide buscar otra oportunidad en el mundo real. "La edad de la ignorancia", que cierra la trilogía que completan "El declive del imperio americano" y "Las invasiones bárbaras", es una sátira, una reflexión moral sobre nuestra época.

In 1950, in a small village called Northern Station, Samuel, a young mailman and his girlfriend, Évelyne, spend hours replying to letters that children have sent to Santa Claus. While delivering the letters on Christmas Eve, Samuel dies of cold in the forest. He finds himself in the magic land of Santa Claus, where he becomes an elf in charge of answering Santa’s mail. Fifty years later, Samuel opens a letter from Satia, a young girl from Northern Station who asks Santa Claus if he will save her grandmother, who is seriously ill. With the help of his friend, Howie, the young elf decides to go to the village for grant the child’s wish. However, it turns out that Satia’s grandmother is none other than Évelyne.

Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).