Ilker Berke

The Corridor is the story of two old sisters who have totally opposite characters and had to live together. They are carried to loneliness, they can’t socialize neither to each other nor to anyone else. They fall into despair and wicked behaviors but never hurt anyone else but themselves and each other.

A Kurdish woman as a suspect of terrorism: the exciting political thriller deeply depicts the racist surveillance system in Turkey. The young Kurdish woman Arjin is under surveillance by the Turkish intelligence service. Her offense: She housed another Kurdish woman for one night, who then disappeared without a trace. Every step of Arjin and her friend Sidar is monitored from now on. When Ramo, a secret service worker of Kurdish origin, claims to have found evidence that Arjin and Sidar are involved in the planning of a suicide bombing in Istanbul, the ugly face of the Turkish government is uncovered.

Sinan is a blind poet. Although he lost his sight at the age of three, he is a person who is at peace with his blindness. Sinan's wife Nilgün wants to gift Sinan the world of vision and convinces him to have surgery. With the successful operation, Sinan begins to see vaguely, but after a while weird adaptation complications emerge. Nilgün believes that chaos is related to blind habits and increases pressure on Sinan to adapt to the world of vision. This tension moves towards a tragic showdown, where they question each other's personalities. Just in this process, the doctor explains that if there is no second surgery, Sinan will be blind as before.

Five fishermen live on an island. Their ordinary life start to change with the unknown disappearance of one of them. Also a wolf comes to the island. The wolf tries to open his own living space. These happenings cause a growing tension between friends.

Studying engineering and dreaming to go abroad with the Erasmus project to leave behind his small town, Ali is going through a period of self-exploration, asking questions about life. His quiet life is stirred up upon his crush to Gülce, a singer at a folk music cafe. Gülce is a nursing student and to get by, she works as a caregiver to a lonely, elder man in one of the older neighbourhoods of the town. As Ali gets to know Gülce, he becomes involved in the old man’s story too. Ali goes on his search on the threshold of this encounter, asking a question to which he wouldn’t find an answer to: is any happiness possible?

Ferit who adores the cinema of 70s, is now obsessed with the clinic he discovered a long time ago. A man whose real name is a mystery runs this clinic under the nickname as Doctor. He uploads on his patients' memory unforgettable scenes from the old Turkish movies by organizing private sessions for them.

As woodsmen, brothers Kemal and Cemal struggle with an uncertain future, living in a house inherited by their father, on the outskirts of a village. Kemal has always been a father to his brother. Nalân, arrives one day with Kemal, and adopts the house as her own. Her presence soothes Cemal, who's shaken by his mother’s death.

In the midst of a night, an unexpected ferryboat approaches to the shores of a cute little town. On the deck, an inspector and his assistant - two highly commissioned authorities only assigned to very fragile cases concerning the government, scan the town from a distance.

Kerem is going on vacation with his mother and sister. Kerem asks them to take a break on the road. When he returns, he cannot find his mother and brother. He waits for some sounds from the forest while he waits for his mother and brother to come. When he follows the voices and enters the forest, he finds himself in the Nightmare House. In the House of Nightmares awaits him from the Dark. Kerem will face his past and will want to correct what he has done.

Años 60 en Tepecik, un pequeño pueblo de la Anatolia. Recep y Mehmet son dos jóvenes campesinos que trabajan como aprendices en la ciudad de Tavsanli, cercana a su pueblo. Recep ayuda a un vendedor de sandías y Mehmet aprende con un barbero. Ambos están locos por el cine y, por las noches, en el establo abandonado de su casa del pueblo, se afanan en fabricar un proyector de cine. Sueñan con llegar a ser directores de cine y cambiar sus vidas. Un día, Recep conoce a una viuda con dos hijas que vive en la ciudad y que necesita sandías para las vacas. Desde entonces, empezará a visitarla para tomar el té o desayunar y, poco a poco, irá interesándose por su hija mayor, Nihal. A ésta, sin embargo, le desagradan las continuas visitas del campesino y lo trata con la mayor brusquedad posible. Por el contrario, a Guler, su hermana pequeña, sí le interesa Recep, pero sus sentimientos no se ven correspondidos.