Ferdinand Mazurek

The year 2022 marks the 70th anniversary of one of the most extensive, infamous trials in post-war Czechoslovakia. Fourteen accused communist functionaries stood before the Supreme Court in Prague. Among them was Otto Šling. The court sentenced eleven to death, forfeiture of property, and loss of honorary civil rights. All defendants waived their right to appeal. Karel Šling is the last direct descendant of all eleven executed. Even at 75, he doesn't give a happy and composed impression. He is still dealing with traumas that he had and could not have had any influence over.

Urban, un huérfano, sirve como aprendiz a un codicioso maestro relojero. Cuando Urban crece, se enamora de Laura, la hija del relojero, y quiere casarse con ella. Antes de que esto suceda, el maestro envía a su aprendiz al mundo con la tarea de buscar un reloj mítico que pueda advertir de la muerte. Nadie sabe si el reloj existe, pero si Urban no lo devuelve, Laura nunca será su esposa. El aprendiz de relojero emprende así un largo viaje lleno de dificultades, que deberá superar con valentía, destreza y buen corazón.

For six female Holocaust survivors, liberation from the camps marked the beginning of a lifelong struggle.

After narrowly escaping arrest in Prague, Czech mobster Radim "Kácko" Kraviec flees first to Seychelles and then to South Africa where he continues with his criminal endeavours. However, his illicit activities cannot go unnoticed forever.

A film based on a book by Jaroslav Kmenta tells the story of a mafioso who got rich by tax fraud of billions of crowns in transactions with petroleum products and who later tried to gain control of the state-owned petroleum concern. The main character is the gangster Radim Kraviec (Hynek Cermák). He was always capable of violence, but when his father is abducted and killed by a competing mafia, he is changed into a murdering monster.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

“You bet on someone in the beginning of the process and then you wait and see what life does with them.” This is how Czech director Helena Trestikova explains her long-term documentaries. Following on from the European Film Academy Award winning RENE (2008), Trestikova brings us KATKA – 14 years in the life of a drug addict. KATKA is an extraordinarily raw and uncensored character portrait of a troubled young woman living on the edge of human existence, desperately searching for love and salvation. Will she find it in the rehab? Will she find it in the arms of the man she loves? Or in the first cry of her long-desired baby? Tagging along with her through the back streets and squalors of Prague, Trestikova gets deep under the skin of a person most of us would cross the road to avoid, and shows us Katka’s profoundly human face. You might be angry with Katka, or your heart may go out to her. One thing is certain – you will never forget her.