A cynical samurai is left as the sole survivor to fulfil a plot to assassinate the puppet of a villain intent on usurping the shogunate in the 17th century.
A Shogunate Elder connives to rule Japan by making his puppet, the Shogun's brother Tsunashige, the next Shogun. The best strategist in Japan, Yamaga, leads a plot to stop the Elder, but his cabal is betrayed and most of the conspirators are captured and tortured.
Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!
A group of Japanese soldiers land in Chinese territory. They advance on a village ; one soldier, Norimoto, is killed in the attack, but the village is captured. Norimoto’s body is recovered and buried. Over the next two days, the soldiers advance inland. Two more soldiers, Naito and Takahashi, are injured. They remain behind to recover, but vow to catch up. Their comrades march on...
An early example of the Japanese war film, closer to documentary realism than the kind of propaganda produced at the height of the Pacific War. "A company commander calls on five men. They are to reconnoiter, but on their way they are attacked. Only four of them return. While his companions mourn the fifth straggles back. Soon after comes the order to move out for a general attack. The men know that this time there will be no returning." (Donald Richie)
A 1937 Japanese language film directed by Tomu Uchida, starring Ryo Akaboshi, Mitsuru Date and Hisao Furutani.
