Sven Taddicken

While two young teachers are spending their summer holiday on the Mediterranean coast they are overwhelmed by a sudden attack. Back home, they try to deal with the trauma in their own ways until a surprising encounter changes everything.

While two young teachers are spending their summer holiday on the Mediterranean coast they are overwhelmed by a sudden attack. Back home, they try to deal with the trauma in their own ways until a surprising encounter changes everything.

Helen Brindel is trapped in a violent marriage and the prison of her faith when she falls in love with a scholar, Professor Eduard Gluck. But he’s a secret porn addict. Slowly, carefully, two very different individuals get to know each other.

Helen Brindel is trapped in a violent marriage and the prison of her faith when she falls in love with a scholar, Professor Eduard Gluck. But he’s a secret porn addict. Slowly, carefully, two very different individuals get to know each other.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

Maria se encuentra atrapada entre dos mundos. En el colegio, esta chica de 14 años tiene los típicos intereses de una adolescente, pero cuando está en su casa debe seguir los dictados de la Sociedad de San Pío XII y su tradicional interpretación del catolicismo. Todo lo que Maria piensa y hace debe ser examinado ante Dios.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Divertirse, desatar el caos y provocar motines ha sido, durante mucho tiempo, la forma de vida de los piratas Klaus Stöertebeker y Gödeke Michels. Un sinfín de conquistas en el Mar Báltico han dado a Stöertebeker una reputación de rebelde y revolucionario y, para sus leales tropas de piratas, él es una leyenda. Sin embargo, las constantes batallas y luchas contra los odiados “ricachones” de Hanse han ido desgastando a los antes invencibles bucaneros y a su audaz tripulación. Es por eso que, cuando Stöertebeker resulta gravemente herido en una batalla para abordar un barco, el legendario pirata comienza a preguntarse si este tipo de vida tiene futuro para él y, en el momento en que se enamora de la preciosa y luchadora Billie, la cual le hace soñar con una tranquila vida en tierra firme, se ve obligado a enfrentarse a su futuro.

An eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year.

Max, un mediocre empleado de un concesionario de coches, recibe de pronto la noticia de que padece un cáncer terminal de páncreas. Entonces proyecta pasar sus últimos días en algún lugar paradisíaco de México; sin embargo, el azar lo lleva a una granja de cerdos, cuya propietaria, Emma, es una muchacha arisca, solitaria y agobiada por las deudas.

A young girl steals a car and drives to the Baltic Sea to bury her dead boyfriend.

A young girl steals a car and drives to the Baltic Sea to bury her dead boyfriend.

A young girl steals a car and drives to the Baltic Sea to bury her dead boyfriend.

Josh is about to turn 30; he's mentally retarded, and likes to play at being a vampire. His sister Nicole is 15, and dealing with her impending womanhood; middle brother Mike is the "normal" one, but in some ways the most childish - his latest conquest is Nadine, who runs the dog kennel at his security guard job. Nic is fixated on getting laid, and watches Mike and Nadine through the skylight with Josh. Josh also gets fixated on sex, though he has no clear idea what it's all about, and in particular on Nadine; to Mike's chagrin, she seems more interested in Josh than in him.

A short love story between a lonely sleeping-car attendant and a lousy toy salesman.

A short love story between a lonely sleeping-car attendant and a lousy toy salesman.

A short love story between a lonely sleeping-car attendant and a lousy toy salesman.