Policeman
The story of the British betting scandal of 1964, uncovered by journalist Mike Gabbert which saw a number of British professional footballers were jailed and banned from football for life for conspiring to fix the results of matches. Prominent among those jailed and banned were the Sheffield Wednesday F.C. stars Peter Swan, Tony Kay and David Layne.
Additional Cast
Drama based on the real life events of April 1989, when ninety-six Liverpool supporters were crushed to death during an F.A. Cup Semi-Final match against Nottingham Forest at Sheffield Wednesday's Hillsborough Stadium. This movie follows three Liverpudlian families before the match, during the tragedy and at the ensuing court battles which tried to decide who was to blame and what went wrong.
Greengrocer
Based on a true story. In 1940, Britain's gold reserves were transferred for safety to Liverpool because of the threat of a German invasion. The top-secret operation was known only to a handful of security men and senior bank officials... and a group of Liverpool dockers who handle the move. Billy Mac, the dockers' leader, hatches an ingenious plan to steal some of the gold bars from under the noses of the guards.
Griff
Harry Clark is a social worker on the verge of cracking up. His job is to help other people: who is there to help him?
Gorman's Cab Driver
It's New Year's Eve in Thatcher's de-industrialising Britain. The scene is set at a seedy bar in Liverpool where a group of Irish Protestant and Irish Catholic pensioners will gather to clash and bash the new year in.
Trilogía compuesta por los tres primeros cortometrajes de Davies ("Children" (1976), "Madonna and Child" (1980) y "Death and Transfiguration" (1983)), que corresponden a distintas etapas de la vida de Robert Tucker: su opresiva infancia, marcada por los malos tratos de su padre y de sus compañeros de colegio; su madurez como gris oficinista atormentado por su homosexualidad, siempre al lado de su madre; y sus últimos días, en los que se ve asaltado por dolorosos recuerdos del pasado.
In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back.
