Craig Renaud

An exhilarating journey of artistic discovery... 100,000 miles, 1,000 destinations in the search for 100 under-recognized American artists for one unforgettable exhibition. The curatorial team of Crystal Bridges Museum of American Art in Bentonville, Arkansas, crisscrossed the nation to find extraordinary contemporary art happening in unexpected places: the woods of North Carolina, the deserts of Nevada, the backstreets of Pittsburgh, the foothills of Arkansas, the riverbanks of New Orleans. The art and artists found by the Crystal Bridges team led to a groundbreaking exhibition of 227 works of contemporary art, many of which might otherwise have never been seen.

At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.

At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.

At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.

Documental sobre los estragos de la droga cristal -variante de la conocida methamphetamine- en los Estados Unidos. Relata la historia de consumidores y camellos de zonas rurales desfavorecidas cuya adicción al HIELO (una derivada más fuerte y más barata del cristal) y la falta de oportunidades laborales los ha empujado a un ciclo sin fin de cárcel y pobreza. Del otro lado, la policía y los agentes de la DEA tratan con dificultad de impedir a los cárteles que inunden los Estados Unidos con esta súper potente versión de la metanfetamina.

Documental sobre los estragos de la droga cristal -variante de la conocida methamphetamine- en los Estados Unidos. Relata la historia de consumidores y camellos de zonas rurales desfavorecidas cuya adicción al HIELO (una derivada más fuerte y más barata del cristal) y la falta de oportunidades laborales los ha empujado a un ciclo sin fin de cárcel y pobreza. Del otro lado, la policía y los agentes de la DEA tratan con dificultad de impedir a los cárteles que inunden los Estados Unidos con esta súper potente versión de la metanfetamina.

Documental sobre los estragos de la droga cristal -variante de la conocida methamphetamine- en los Estados Unidos. Relata la historia de consumidores y camellos de zonas rurales desfavorecidas cuya adicción al HIELO (una derivada más fuerte y más barata del cristal) y la falta de oportunidades laborales los ha empujado a un ciclo sin fin de cárcel y pobreza. Del otro lado, la policía y los agentes de la DEA tratan con dificultad de impedir a los cárteles que inunden los Estados Unidos con esta súper potente versión de la metanfetamina.

Documental sobre los estragos de la droga cristal -variante de la conocida methamphetamine- en los Estados Unidos. Relata la historia de consumidores y camellos de zonas rurales desfavorecidas cuya adicción al HIELO (una derivada más fuerte y más barata del cristal) y la falta de oportunidades laborales los ha empujado a un ciclo sin fin de cárcel y pobreza. Del otro lado, la policía y los agentes de la DEA tratan con dificultad de impedir a los cárteles que inunden los Estados Unidos con esta súper potente versión de la metanfetamina.

It has been called "the saddest acre in America." It is also one of the most sacred. Section 60 in Arlington National Cemetery is the final resting place for young men and women who died fighting in Iraq and Afghanistan. This emotional documentary filmed entirely in Section 60 provides intimate glimpses of family and friends who have come to honor their loved ones.

Over the years, Raul Ries, a military veteran (US Marine Corps) has reached out to those who are serving or have served in our armed forces. He has spoken to countless men and women from various theaters of military conflict, after their return home. In 2006, 40 years after fighting in the jungles of Vietnam, Ries experienced flashbacks for the first time. Subsequently, he found three of the men closest to him, who fought alongside of him in the Marine Corps unit ALPHA 1/7, and have suffered the consequences. Together again, they are taking the hill and finding healing.

Two heroin-addicted couples lead hard and stressful lives on the streets of New York.