Alberto Flaksman

Alberto Flaksman

Perfil

Alberto Flaksman

Películas

The Trace We Leave Behind
Dr. Fernando
A young physician coordinating the transfer of patients between state-run hospitals in the city of Rio de Janeiro struggles with a mystery: a patient goes missing one night and completely disappears from the system. As the doctor attempts to find out the truth, he slowly loses his sense of reality.
El arte de matar
Producer
Adaptación de la novela "El gran arte", de Rubem Fonseca.
China, o Império do Centro
Executive Producer
A portrait of conteporary China from Tai-chi-chuan to chinese arts.
Baixo Gávea
Art Direction
Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.
Baixo Gávea
Executive Producer
Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.