Andy Kindler

Bob's Burgers La Película es una comedia de animación para la gran pantalla. La historia arranca cuando la rotura de una tubería de agua crea un enorme socavón justo delante del Bob's Burgers, bloqueando la entrada de forma indefinida a la hamburguesería y arruinando los planes que tenían los Belcher de cara al verano. Mientras Bob y Linda luchan por mantener a flote su negocio, los niños intentan resolver un misterio que podría salvar el restaurante familiar. A medida que aumentan los peligros, todos se apoyan entre ellos con la esperanza de volver a ponerse detrás de ese mostrador.

Tragedy + Time + Comedy = Healing. From the immediate aftermath of 9/11 to today stand-up comedians, talk-show hosts, sketch performers, television animators and other entertainers have used often-controversial jokes to unite and heal in the face of tragedy.

A character study of, “the funniest comedian you’ve never heard of,” and an exploration of how we define artistic success, MENTALLY AL follows Al Lubel, a former Star Search grand champion as he struggles to get by, perpetually broke and sleeping on friends couches, as he continues to pursue his artistic dreams into his sixties.

A dark comedy about a woman named Leslie Heart who inherits a horse and, in an attempt to elevate her failing status within her high society circle, trains it to race while secretly executing a long-con with an ex celebrity jockey.

Past her prime and afflicted with a severe case of writer's block, a veteran songwriter finds new inspiration in a bird that takes up residence outside her home.

Laurie Kilmartin's tweeting while her father was in hospice quickly garnered press and Twitter followers. Her comments are as painful as they are hilarious and give voice to the very human thoughts we keep to ourselves as a loved one passes from life to death. Filmed at The Lyric Theater in Los Angeles, California, Laurie speaks about cancer, hospice, death, grieving, and funerals.

Más de cincuenta personas divertidas norteamericanas (cineastas, escritores, actores y cómicos) comparten su vida, viajes profesionales y puntos de vista en un esfuerzo para arrojar luz sobre la tesis: ¿hay que ser miserable para ser gracioso?

From the 1930's to the 1970's, pretty well every comedian or comic you might see on TV or the movies was Jewish. Jews came to dominate the world of western‐society comedy on radio, stage and screen alike.Why did Jews dominate comedy in this period? And why did that domination end? Were Jews just funnier back then? And if so, did that extend to your average Jew on the street? In this 90 minute documentary acclaimed director Alan Zweig will examine these questions and many others in this exploration of 20th century humour, cultural decay, and a search for a missing heritage.

The Documentary takes an unconventional journey through the life of one of America's most original comedic voices. Eddie Pepitone, "The Bitter Buddha", is looked at in this portrait of creativity, enlightenment and rage.

A través de un acceso sin precedentes al backstage y de entrevistas francas, la película teje el absurdo mundo del comediante y revela un perfil psicológico loco y divertido de sus practicantes. También seguimos el intento del retirado comediante Ritch Shydner de volver al escenario después de un paréntesis de trece años. En la parte superior de su juego en la década de 1980, Shydner tenía especiales de HBO, filmó cinco programas de televisión piloto y numerosas apariciones nocturnas (Carson, Letterman, Leno, etc.), pero el gran momento se le escapó. Equipado con la sabiduría colectiva y las reflexiones chifladas de más de 80 de sus pares, le da otra oportunidad. ¿Tiene Ritch lo que se necesita para conectarse con la multitud joven de hoy y todavía se ríen?

Standup special recorded in 2003 at the H Bar & Restaurant in Hollywood, California.

Standup special recorded in 2003 at the H Bar & Restaurant in Hollywood, California.

Standup special recorded in 2003 at the H Bar & Restaurant in Hollywood, California.

It's a night of comic anarchy as 15 of today's edgiest comedians perform at Los Angeles' legendary Troubadour rock 'n' roll club! You're guaranteed to laugh, and occasionally gasp with shock, as new comic frontiers are crossed. Staring; Patton Oswalt, Brian Posehn, Zach Galifianakis, Maria Bamford, David Cross, Sarah Silverman, and many more.

HECKLER es un documental de comedia que explora el mundo cada vez más crítico en el que vivimos. Después de protagonizar una película criticada, Jamie Kennedy se enfrenta a los que critican y hacen preguntas interesantes a personas como George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel y muchos más. Este documental hilarante y de movimientos rápidos no da golpes, ya que ves una mirada sin censura sobre cuán repugnante y malvada es la pelea entre los que están en el centro de atención y los que están en la oscuridad.

Curmudgeon. Contrarian. Misanthrope. Naysayer. For all the people interviewed in this film, someone has used one of the above words to describe them. What have they done to deserve such labels? Everywhere these men and women go, something is being celebrated; they don’t get what all the celebration is about and they’re compelled to question it.

A documentary team gets a grant to do a film on a rare fatal disease that is attacking homeless people. However, they quickly find the film too depressing. Ducking into a nightclub, they discover a young Manhattan comedienne and decide instead to follow her as she makes the circuit of auditions in L.A. as she tries to get a TV pilot. Unfortunately, she has failed to tell her boyfriend of this move. He decides he will trail her out west. There, the boyfriend runs into an old friend who has already made a break on a TV pilot. Seizing the opportunity, the actress turns her attentions to the established actor. However, the actress goes nowhere in auditions, but her ex-boyfriend is suddenly noticed and becomes the next hot prospect.

A successful, but unhappy man tries to be himself.

A demo/presentation/pilot for a sketch comedy show. A single stationary camera was mounted inside the center of a large rotating platform. As the platform rotated around the camera, a scene would come into view of the camera. The wheel would stop and a sketch would play out in the scene, which was often framed by some piece of appropriate artwork or prop (for the purposes of forced perspective). At the end of the scene, the wheel would rotate, carrying one scene out of the camera's view and bringing another in, and a new sketch would begin in the new scene. Some scenes were self-contained on the platform, while others were open to the studio beyond the platform (and additional action would take place in the background).