Boris Frantsisson

Películas

The Steel Road
Director of Photography
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity.
The Happy Canary
Cinematography
Actress Brio working in a cafe "The Happy Canary", does not suspect that her new acquaintances Brianski and Lugovec are Communists sent by an underground committee to fight the enemy's counter-intelligence
Moscow in October
Cinematography
October reflects a general attempt in Russia to sustain the frenzy and dynamism of revolutionary fervour. This attempt increased in scale and ambition as they pushed it further, resulting in the theatricalisation of life. In other words, the boundaries between real events and fabricated drama became blurred as the portrayal of life became more exaggerated. It is important to remember that the film does not represent what actually happened during the 1917 Revolution, but is rather an adaptation.
La muchacha de la sombrerera
Director of Photography
Un patrón sin escrúpulos le da a una joven trabajadora un boleto de lotería en vez de pagarle su sueldo. El boleto resulta ganador y la chica consigue una fortuna, lo que desencadenará una carrera para poseer el boleto... y el amor de la chica.
Glumov's Diary
Cinematography
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film.
Kino-Pravda Nº 15
Director of Photography
Realizado en la primavera de 1923.