K. Rajagopal
Nacimiento : 1965-09-21, Singapore
Historia
K. Rajagopal has won the Singapore International Film Festival’s Special Jury Prize for 3 consecutive years with his short films: I CAN’T SLEEP TONIGHT (1995), THE GLARE (1996) and ABSENCE (1997). In 2010, he wrote and directed TIMELESS, a short film commissioned by the National Museum of Singapore which won Best Cinematography and Best Editing at the 2011 Singapore Short Film Awards. In 2015, his short film THE FLAME was part of the SG50 commissioned omnibus feature film 7 LETTERS, which had its Asian premiere at the Busan International Film Festival. His debut feature film, A YELLOW BIRD, premiered at the 55th Critics' Week, Cannes Film Festival in 2016 and won Best Film at the ASEAN Film Awards 2017. In 2019, the Singapore Silver Arts Festival commissioned him to write and direct the short film A DREAM I DID NOT DREAM.
Writer
‘In Safe Hands’ follows the journey of two Ministry of Manpower (MOM) officers who worked closely together with other agencies and NGOs, to care for the wellbeing of resident migrant workers at the dormitories, allowing them to return to work safely.
Director
‘In Safe Hands’ follows the journey of two Ministry of Manpower (MOM) officers who worked closely together with other agencies and NGOs, to care for the wellbeing of resident migrant workers at the dormitories, allowing them to return to work safely.
Director
Rosie Wong, a blind woman, shares a retrospective account about the three lives which shaped her life. Taking inspiration from ‘The Giving Tree’, her life is significantly changed by a kind stranger, Pak Cik Tubi Moh Salleh, who helped her get to work everyday for 5 years. Pak Cik Tubi continued this good deed for the next few years, tirelessly helping Madam Rosie.
Writer
Rosie Wong, a blind woman, shares a retrospective account about the three lives which shaped her life. Taking inspiration from ‘The Giving Tree’, her life is significantly changed by a kind stranger, Pak Cik Tubi Moh Salleh, who helped her get to work everyday for 5 years. Pak Cik Tubi continued this good deed for the next few years, tirelessly helping Madam Rosie.
Writer
The dance of life is one we dance alone but with many silent and invisible partners. Meena celebrates the lives she lived and the people she loves in a film about the rejuvenating power of time.
Director
The dance of life is one we dance alone but with many silent and invisible partners. Meena celebrates the lives she lived and the people she loves in a film about the rejuvenating power of time.
Writer
Up in the sky with breathtaking views of the city, a ride on the Singapore Flyer takes a dramatic turn when two couples are forced to confront how they feel about each other.
Director
Up in the sky with breathtaking views of the city, a ride on the Singapore Flyer takes a dramatic turn when two couples are forced to confront how they feel about each other.
Himself
From Crazy Rich Asians (2018) to 12 Storeys (1997) to Sumpah Pontianak (The Curse of Pontianak) (1957), Singapore’s film industry is a diverse one and its evolution is nothing short of colourful. Recollecting Singapore’s famed studios in the 1950s to uncovering new waves of filmmakers in 90s and into today’s digital revolution, Singapore Cinema: Between Takes provides an insight into the rich history, and culture of Singapore films and its industry through candid reflections of filmmakers and content creators.
Writer
Sanjay and his wife, Divya, have recently moved to Singapore from India. In the face of an impending cutback by his company management, Sanjay struggles to juggle work and adjust to life in Singapore. How will they fare in such a trying scenario?
Director
Sanjay and his wife, Divya, have recently moved to Singapore from India. In the face of an impending cutback by his company management, Sanjay struggles to juggle work and adjust to life in Singapore. How will they fare in such a trying scenario?
Director
This is a love story adapted from JM Sali’s tale of an Indian man who meets and falls in love with a Chinese woman in Singapore by chance, but she discovers that he is actually married back home in India. Told from the perspective of the writer—who is played by more than one actor, and who also plays the character—the film blurs the lines between roles, reality, time and space. The words and text of the writer also interplay with the sound of silence and the actions of the actors and characters.
Writer
Inspired by the first English-language novel "Inheritance" of acclaimed Singaporean novelist Balli Kaur Jaswal about Singapore's Punjabi-Sikh diaspora, the film surrounds the story of a Punjabi family and the characters' struggles against traditions and belonging. The project involves the local Punjabi community, who has often been left out of the larger Singaporean narrative even when they are such an important part of our cultural landscape.
Director
Inspired by the first English-language novel "Inheritance" of acclaimed Singaporean novelist Balli Kaur Jaswal about Singapore's Punjabi-Sikh diaspora, the film surrounds the story of a Punjabi family and the characters' struggles against traditions and belonging. The project involves the local Punjabi community, who has often been left out of the larger Singaporean narrative even when they are such an important part of our cultural landscape.
Writer
A trilogy set in three iconic locations within Singapore's Little India district: Race Course Road, Campbell Lane and Syed Alwi Road. The notion of re-examining history by truth and myth through visual storytelling serves as the inter-connecting thread between the three short films, and the films offer glimpses of Little India through the 19th and 20th centuries.
Director
A trilogy set in three iconic locations within Singapore's Little India district: Race Course Road, Campbell Lane and Syed Alwi Road. The notion of re-examining history by truth and myth through visual storytelling serves as the inter-connecting thread between the three short films, and the films offer glimpses of Little India through the 19th and 20th centuries.
Writer
En Singapur, un expresidiario vagabundo que guarda la esperanza de reunirse con su familia entabla amistad con una prostituta china para la que trabaja de guardaespaldas.
Director
En Singapur, un expresidiario vagabundo que guarda la esperanza de reunirse con su familia entabla amistad con una prostituta china para la que trabaja de guardaespaldas.
Director
An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.
Writer
Timeless is a visceral experience which disrobes the human condition over three epochs drawing upon searing images inspired by Francis Bacon’s triptych series. It is an examination of the questions “Time changes but do people change?” If people do change, why does HIStory repeat itself?
Director
Timeless is a visceral experience which disrobes the human condition over three epochs drawing upon searing images inspired by Francis Bacon’s triptych series. It is an examination of the questions “Time changes but do people change?” If people do change, why does HIStory repeat itself?
Director
Seven young directors from Singapore produce a cinematic cadavre exquis.
Director
A father obliges a young boy and takes him to watch movies at New World, Singapore’s iconic entertainment venue of the 1960s and 1970s. The boy is enthralled, growing up on a gamut of film genres. He loves both the comedies and tragedies. He laughs and cries with the characters, experiencing their joys and sorrows, and even falling in love with some of them. The line between reality and flimsy film is marred even, when unwittingly he allows a merging of his life with what goes on in the film world. Oblivious to the real world at times, he is forced to face harsh reality with the unexpected death of his father. Distraught, his escape into his make-believe world also ends suddenly when he stops watching films at the New World.
Writer
A father obliges a young boy and takes him to watch movies at New World, Singapore’s iconic entertainment venue of the 1960s and 1970s. The boy is enthralled, growing up on a gamut of film genres. He loves both the comedies and tragedies. He laughs and cries with the characters, experiencing their joys and sorrows, and even falling in love with some of them. The line between reality and flimsy film is marred even, when unwittingly he allows a merging of his life with what goes on in the film world. Oblivious to the real world at times, he is forced to face harsh reality with the unexpected death of his father. Distraught, his escape into his make-believe world also ends suddenly when he stops watching films at the New World.
