Producer
Mal-soon is a tough granny in a shanty town in Busan. In front of her, 12-year-old Gong-ju appears with her baby sister Jin-ju on her back. Gong-ju claims that she is the daughter of Mal-soon’s runaway daughter. Mal-soon’s peaceful life becomes a mess with these little strangers, but Mal-soon doesn’t feel bad living with them.
Producer
Una niña que desapareció después de un accidente regresa 10 años después y se reencuentra con su abuela.
Producer
Jeong-min, a scenario writer, was recently dumped by his girlfriend who left for another man. No matter how much he begs she never seems to return to him. To forget everything and concentrate on his scenario, Jeong-min stays in a small inn in a remote country town. There he meets an attractive teenage girl, Yoo-mi who lives with the mysterious landlord.
Producer
"Goodbye, Pyeongyang" is co-production between South Korea and Japan Synopsis Director Yonghi Yang’s previous piece, “Dear Pyeong Yang”, has told of North Korean tales. This time, he brings in “Sun-hwa”, the sister of a brother who migrated to North Korean from Japan in the beginning of the 1970s. Through “Sun-hwa”, it shows the images of the immigrant generation as well as the generation that was born and raised in North Korea. Although ‘Sun-hwa’s growth stages are very typical, the specialty of the North Korean society is quietly shown. Through the process of establishing her identity in the North Korean society as an immigrant generation, North Korea isn’t portrayed as simply an unsociable society but as an area on earth which hold the universal image of the human society. This may be said to be producer “Yang”s special merit. The picture of family gives a normal everyday life view of the known-to-be different name, North Korea.
