Director
Segment 1: "Impossible Weekend." Desperate to attract the attention of a sexy teacher, a young man steals an experimental aphrodisiac from the laboratory and mixes it into the teacher's lunch. The result exceeds all expectations. ******** Segment 2: "A Chained Hurricane." A humble clerk, tired of enduring the ridicule of colleagues and mistresses about his sexual failure, decides to end his life; just then, hidden reserves awaken in him. Segment 3: ******** "Brazilian Miracle." Scientists create a robot indistinguishable from a person in the image of a sexy girl. However, the program crashes and the robot leaves obedience and sets off on an independent journey.
Assistant Editor
From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.
