Triin Sarapik-Kivi

An animated documentary about an old lady who returns home after sixty years. The film is based on a true story and taking place on a remote island of the Baltic sea. All objects in the film are made of materials found on that island (Ruhnu).

There exists a most exquisite man, or at least the world that surrounds him labels and sees him as such. He has fantastic abilities, incomprehensible talent, he could even be called a genius, yet something within him is restless. Big questions utterly absorb him, leading him to a place where all he can do is surrender his life, in order to find that which gives him and the natural world undeniable purpose and concluding peace.

Grandchildren come to the village of Old Man in the summer for a visit. It is a far cry from the idyllic summer vacation with the grandfather, because the Old Man spends his hard time working on children and his dairy cow. Jumpers do not understand rural manners and cause the prized cow to flee. Now, Old Man and the children have 24 hours to find the cow before the untried udder explodes and causes a dairy nuclear disaster. The old man and the children begin a merciless race as the udder has to be defiled before the mysterious Dairy sends the cow to the heavenly meadow. Along this journey, our heroes face yet another despicable rural hipster, forest beasts, desperate lumberjacks, and a lunatic bear in constipation.

A tale of freedom and compassion, set in the 1980s Soviet Estonia, as experienced by a cat and recounted by its owner. Cat Teofrastus lives a homeless life at a train station. One day, he is offered a home by a family living in a nearby countryside house. However, the happy life is short-lived when the cat is taken to the big city and gets lost on the streets. Will Teofrastus find his way back to happiness?

Having spent her entire life behind the convent walls, old and dignified nun Mary decides to fulfill her childhood dream. The only obstacle on her way is her fragmentary, almost non-existent memory. Mary is afraid that her ultimate dream may turn out to be a sin instead.

A film about secrets that shouldn't be secret. When the mommy-fish dies, Boj has had enough, and gets power from his own fantasy to go further.

A herd of war-torn and hungry rats tries to get an answer to the question of who is Lili Marleen from a mortally wounded young soldier stuck in a projectile funnel. Is it a reminder of first love or first relationship with a prostitute earning her daily bread? Lili Marleen is not just a distant heroine from a song. Every soldier boy has her own Lili, be it his first love from school or just an imagination. But always, no matter what happens, she is waiting for her soldier underneath the lantern by the barrack gate...

This story is about a young man who wants to go behind the horizon...

Part of the puppet film trilogy "Gabbage Head," the film features the main character - the stubborn and selfish peasant Saamuel - and his loyal partner Pink Piglet. The actions take place in Internet, into where Saamuel and his Piglet get by accident. Saamuel understands the importance of information and starts do deal with it.

In this film,skeptical city people from the information society who are surrounded by high technology meet mythological beings from the legends of their ancestors with intriguing and comical results.

A film about the influence of society on the life of an individual. We can follow the career of one life from childhood to maturity; from the pioneer scarves and Soviet Army to family responsibilities. We can see how a man, whose personality is eliminated and who is thrown from a well-organized world of rules and regulations into another system, is barely able to find himself in the new circumstances. (sourced from: https://www.nukufilm.ee/en/arhiiv/humachinoid/)

1895 is a picture about the life of brothers Auguste and Louis Lumiere, who have immortalized their names as inventors of cinematography. What inspired them?

Film about conflict between young and old generations. In this animated film with live actors the protagonist is a girl, who is brought up by her grandfather. He lives in a strictly regulated world where animate as well as inanimate creatures have fixed places, which are marked by chalk on the living-room floor. Anything surpassing those borders is mercilessly scarped out of the film strip. The young girl, in whom the primal forces of nature are awakening, learns from her grandfather’s fading sexuality. She starts to scrape the filmstrip as well, to change the world according to her own will. What will she draw instead of her past childhood?

An animated opera version of "Goldfish". In this modernised version of the fairy tale of the Goldilocks, everything is absurdly modern - turned upside down. It's the story of a man who lives underwater and a fish who lives above the water in the air and can grant people's wishes. The man catches the fish and starts wanting all sorts of things, but...

A confrontation of two worlds-- Two rooms, one of which is full of light and colors, the other a monotonous gray.

Balancing on the borders of the real and the unreal the film strives to express the monotony of this world, its illusory character, and emphasize the lack of spirituality in everyday routine.

Balancing on the borders of the real and the unreal the film strives to express the monotony of this world, its illusory character, and emphasize the lack of spirituality in everyday routine.

The protagonist of the film is the Bat living in an old mill and fighting rats and crows. It’s the war fought by disproportioned forces, where the battle is won by cleverness, skill and cunning. Somewhere outside the mill another war is fought.

There is only one animal living in the zoo - the giraffe. No one but the little girl goes to see her. To attract visitors, the director of the zoo orders an advertising giraffe. But then it turns out that people are only fascinated by artificial giraffes, they are not interested in a living animal. The general "giraffe boom" begins. The film ridicules the fascination with "mass culture" not from the real and the living, but from the imitation and the artificial.