Maria Elorza
Nacimiento : 1988-01-01, Vitoria-Gasteiz, Basque Country, Spain
Historia
Maria Elorza Deias is a Basque filmmaker. She works with Maider Fernández Iriarte under the collective name of Chicas de Pasaik.
Sound
A woman was almost called Avioneta (Small Airplane) at birth. Another had a library in the back seat of her car. Yet another fractures her finger with the rebel shelves of her bookshop. Lectors read to cigar makers while they work. Women remember poems while they iron. And to them all I sing.
Editor
A woman was almost called Avioneta (Small Airplane) at birth. Another had a library in the back seat of her car. Yet another fractures her finger with the rebel shelves of her bookshop. Lectors read to cigar makers while they work. Women remember poems while they iron. And to them all I sing.
Cinematography
A woman was almost called Avioneta (Small Airplane) at birth. Another had a library in the back seat of her car. Yet another fractures her finger with the rebel shelves of her bookshop. Lectors read to cigar makers while they work. Women remember poems while they iron. And to them all I sing.
Screenplay
A woman was almost called Avioneta (Small Airplane) at birth. Another had a library in the back seat of her car. Yet another fractures her finger with the rebel shelves of her bookshop. Lectors read to cigar makers while they work. Women remember poems while they iron. And to them all I sing.
Director
A woman was almost called Avioneta (Small Airplane) at birth. Another had a library in the back seat of her car. Yet another fractures her finger with the rebel shelves of her bookshop. Lectors read to cigar makers while they work. Women remember poems while they iron. And to them all I sing.
Camera Operator
A través de sus propias fotografías, el artista vasco Néstor Basterretxea (1924-2014) es retratado por el crítico de arte y comisario de exposiciones Peio Aguirre, gran conocedor de su obra y archivos personales.
Camera Operator
—You really loved him?
—Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Editor
—You really loved him?
—Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Screenplay
—You really loved him?
—Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Director
—You really loved him?
—Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Editor
En 1972, en uno de sus artículos más conocidos, Pier Paolo Pasolini hablaba de la desaparición de las luciérnagas. Al cabo de pocos meses lo asesinaron. Desde entonces las luciérnagas siguen desapareciendo. Pero todavía hay gente que las recuerda.
Cinematography
En 1972, en uno de sus artículos más conocidos, Pier Paolo Pasolini hablaba de la desaparición de las luciérnagas. Al cabo de pocos meses lo asesinaron. Desde entonces las luciérnagas siguen desapareciendo. Pero todavía hay gente que las recuerda.
Screenplay
En 1972, en uno de sus artículos más conocidos, Pier Paolo Pasolini hablaba de la desaparición de las luciérnagas. Al cabo de pocos meses lo asesinaron. Desde entonces las luciérnagas siguen desapareciendo. Pero todavía hay gente que las recuerda.
Director
En 1972, en uno de sus artículos más conocidos, Pier Paolo Pasolini hablaba de la desaparición de las luciérnagas. Al cabo de pocos meses lo asesinaron. Desde entonces las luciérnagas siguen desapareciendo. Pero todavía hay gente que las recuerda.
Writer
Doce cortometrajes, doce retratos de la ciudad de San Sebastián. Nombres históricos y jóvenes promesas de la cinematografía guipuzcoana conviven en esta película impulsada por Donostia / San Sebastián 2016, Capital Europea de la Cultura. (FILMAFFINITY)
Director
Doce cortometrajes, doce retratos de la ciudad de San Sebastián. Nombres históricos y jóvenes promesas de la cinematografía guipuzcoana conviven en esta película impulsada por Donostia / San Sebastián 2016, Capital Europea de la Cultura. (FILMAFFINITY)
Sound
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.
Editor
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.
Camera Operator
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.
Cinematography
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.
Screenplay
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.
Director
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.
