Screenplay
A bitter-sweet story of a young sales assistant and a truck driver trapped between their dreams and the economic depression.
Assistant Director
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
Writer
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
Screenplay
This ethnographic film sends us the image of the man who eats, a stark look at Belgium. We spend about one-eighth of our days eating. Luc de Heusch films these repetitive gestures that seem trivial, yet reveal so much of a particular culture and a civilization. From morning to night, from the market installation to dinner, from the daily and fast meal to the feast, the ethnologist is interested in all social classes. Originally, an attempt of cinematographic ethnography, neutral and distant, intended to define the Belgians by the way they eat. In fact, Luc de Heusch films his contemporaries as if they were Papuans.
