Kralj
In the mid-20th century, in a forested valley between Italy and Yugoslavia, a stingy widower befriends a young woman and helps her depart across the ocean to find there a better life. A chance encounter gives rise to a dreamy parable on loss, loneliness and the power of imagination.
Writer
The artist Marko Brecelj from the legendary Slovenian band Buldožer goes in action. With a Go Pro camera he has countless fantastic offensive ideas. How it goes in the end you can see in this film/musical. With some extreme scenes he manages to make this take a bit provocative and he gains a “soft terrorist” reputation.
Director
The artist Marko Brecelj from the legendary Slovenian band Buldožer goes in action. With a Go Pro camera he has countless fantastic offensive ideas. How it goes in the end you can see in this film/musical. With some extreme scenes he manages to make this take a bit provocative and he gains a “soft terrorist” reputation.
Himself
The artist Marko Brecelj from the legendary Slovenian band Buldožer goes in action. With a Go Pro camera he has countless fantastic offensive ideas. How it goes in the end you can see in this film/musical. With some extreme scenes he manages to make this take a bit provocative and he gains a “soft terrorist” reputation.
Himself
It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.
Himself
Film about Damir Avdic, artist of words who speaks about the world as he sees and understands it. With no superfluous comments. Words as sharp as a razor blade, as straight as a bullet, as honest as a heart. On the stage he is alone, with his guitar and his voice.
