Bruno Boersma

In 1984–85, Johan van der Keuken took his camera across the globe, from Amsterdam to New York to Hong Kong, ending in Geneva. The object of his investigation was money, in particular the maniacal drive to accumulate it in the era of Thatcherite/Reaganite neoliberalism.

Mediometraje de corte experimental en el que el excelente fotógrafo y cineasta holandés persiste en la exploración del independiente poder expresivo de las imágenes a través de un continuo movimiento que parece nunca va a detenerse.