Shamshad Begum

PelĂ­culas

Heer Ranjha
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An epic Love story in which two lovers Heer and Ranjha get along with each other but unfortunately their Love story is not easy. Ranjha fights his way to get Heer but he is not able to do so.
Mughal-e-Azam
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A 16th century prince falls in love with a court dancer and battles with his emperor father.
Mirza Sahiban
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Based on one of the four tragic romances of the Punjab, it is only one of over a dozen film versions of the tale.
Mr. & Mrs. '55
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A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.
Parichay
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Mr. Sampat
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The charming Mr. Sampat weaves his way into theatrical company with his moneymaking schemes, only to cause the everyone involved to go bankrupt, including Malini, the young actress who has fallen in love with him.
Amber
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A vengeful princess waits for the right moment to kill her foster-father - the emperor.
Awaara
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A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.
Nirala
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A doctor unknowingly spurns a woman who loves him, compelling her to marry a wealthy king whose three wives allegedly killed themselves.
Pyar
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Pyar is a movie directed by V.M. Vyas featuring Raj Kapoor, Nargis.
Aag
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A man obsessed over two things, the theater and a childhood friend, recounts his life story to his new bride.
Taqdeer
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In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.
Indramalati
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Indramalati is the second Assamese language film, directed by the great Assamese poet Jyotiprasad Agarwala Jyotiprasad Agarwala wrote the story of Indramalati, which was a tale of romance.
Joymoti
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In the late 17th century, a boy-king ruled the Ahom dynasty of Assam. But the executive power over the whole administration was vested on the Prime Minister. Owing to the presence of a large body of princes, each of whom was a positive material for insurrection, no king could sit on the throne safely. The Prime Minister, therefore, instituted search for the suitors to capture and kill them, or let off after mutilating thereby banning them for succession. The principal target of massacre was Godapani, a man of personal - vigor and energy. But Godapani became aware of The Prime Minister's design and fled to the Naga hills. Unable to trace Godapani, the army led by, one Gathi Hazarika, came upon his wife Joymoti. Gathi inflicted tortures on her to elicit the much sought-after information. She stuck to plea of ignorance, and replied to the increasing tortures by silence and patience. She breathed her last in the midst of torture.