Self
1983: O Ano dos Videogames no Brasil tells the story of how video games, as a new form of entertainment, officially arrived in the country in 1983, but it will also bring information about the before and something about the after. The focus is essentially on devices that preceded the cartridges, such as Casio's game watches, Game & Watch handhelds and PONGs/Telejogos, but mainly - and especially - the first national generation of video games itself, the Odyssey generation, the Atari 2600 and its clones, Intellivision and SpliceVision (ColecoVision).
Himself
El filme investiga un periodo fascinante de la historia brasileña, la redemocratización de los años ochenta, a través de las demandas populares para las elecciones libres, el crecimiento de los grupos brasileños de rock y el movimiento revolucionario conocido como la democracia corintia. Es el momento específico en que el futbol popular y los artistas de rock se vuelven el eco del canto del pueblo por la democracia.
Himself
The documentary “Comercial” brings a portrait of Brazilian advertising, from the perspective of the production of advertising films, told through the eyes of scene directors, creatives and clients; from those who lived the golden age of advertising in Brazil, to the professionals of the new generation; talking about the challenges, changes, the future of advertising films in Brazil and new language trends.
Himself
The documentary tells the Corinthians passion through one of his most famous moments, when the team, who was 23 years without a title, won the Campeonato Paulista final of 1977 against Ponte Preta. The Timão is and always will be the sole, the better. Win or lose. Same spirit that permeated the loyal fans and has only grown in the 23 years that the Corinthians were without titles.
Self
Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections.[2] Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.
