Juan José Mosalini

Juan José Mosalini

Nacimiento : 1943-11-29, Buenos Aires, Argentina.

Historia

Juan José Mosalini (born November 29, 1943) is an Argentinian bandoneon player. He specializes in tango nuevo and currently resides in France. Juan José was born into a family of artisans who were passionate about music. His father and grandfather, who both played the bandoneon, brought him to Argentina's musical traditions. Eight years old, he started himself to learn this instrument. Mosalini was a largely self-taught musician who learned a lot of music on the street. At the age of 13, he had already started playing in ballrooms as a member of an orchestra consisting of four bandoneons, four violins, one piano, one bass and two singers. In 1961 he won first prize in a contest organized by the Argentine television. 17 years old, he became a professional musician. While most of the young people of the time were more interested in rock music, he devoted his entire life to traditional music. Until 1976 he lived in Argentina where he played with some of the most famous orchestras and soloists. He composed, arranged, interpreted, accompanied and produced recordings with, among others, José Basso, Leopoldo Federico, Astor Piazzolla, Osvaldo Pugliese, Susana Rinaldi, Edmundo Rivero and Horacio Salgán. There, he formed his first ensemble, Guardia Nueva quintet with the bandoneonist Daniel Binelli and had a profound impact on avant-garde tango . In 1977 he moved to France. Along with other Argentine musicians he formed the band Tiempo Argentino and recorded an album titled Tango Rojo with ia pianist Gustavo Beytelmann, flautist Enzo Gieco and guitarist Thomas Gubitsch. Later he formed the quartet Canyengues (with Gustavo Beytelmann and Patrice Caratini) and released numerous recordings, including a solo bandeneon album that received some critical success.. Mosalini works to disseminate knowledge and teaching bandoneon in France and in 1999 founded the first bandoneon course in Europe at the Conservatory of Music in Gennevilliers. As a composer, he has also written film scores including Serge Leroy's Double Face and Le 4ème Pouvoir and Peter Lilienthal's Das Autogramm. Source: Article "Juan José Mosalini" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Perfil

Juan José Mosalini

Películas

The Foster Boy
Max in 2011
Max es huérfano y desde el hogar donde se encuentra lo envían a la finca de los Bösiger. Sus padres sustitutos lo utilizan como mano de obra barata en la granja; mientras que Jakob, el hijo del matrimonio, no pierde cada oportunidad para humillarlo. Tocar el acordeón es la única cosa que es enteramente suya y su amistad con Berteli, a la que también han llevado a trabajar con los Bösiger, es lo único que preserva su voluntad de sobrevivir. Juntos sueñan huir del maltrato y trasladarse a Argentina: un mundo de fantasía, donde supuestamente todo está hecho de plata. (FILMAFFINITY)
H.G.O.
Music
Docmuental sobre la vida y obra del Guionista de historietas argentino Héctor Germán Oesterheld.
Por Esos Ojos
Music
We follow the efforts of Ester Gatti to find her missing granddaughter Mariana Zaffaroni. As a child, Mariana and her parents were kidnapped by a Uruguayan military team. The little girl was taken by an agent in the intelligence service who brought her up as his own daughter. Sixteen years later Ester found Mariana, but the girl chose to go on living with the people who had kidnapped her. This documentary raises questions about identity, memory and the value of truth.
Double Face
Music
Gracias, Che Cortázar
Original Music Composer
El bandoneón de Juan José Mosalini abre la puerta de los recuerdos tangueros de Julio Cortázar.
The Fourth Power
Compositor
Yves Dorget, major reporter in a daily newspaper, finds on an "affair" part of a simple news item Catherine Carré, his former friend, editor and chief and star presenter of a television newscast.
The Autograph
Original Music Composer
The bandoneon player Daniel and the boxer Toni arrive independently from each other in a provincial town in Latin America where they are booked to perform at a folk festival. Both of them are completely apolitical but are forced by external circumstances to take a political position. Toni falls in love with the daughter of an influential attorney but has to keep his love a secret. Meanwhile, Daniel learns about the atrocities committed by the Junta from the town’s residents.
The Autograph
Daniel Galvan, the singer
The bandoneon player Daniel and the boxer Toni arrive independently from each other in a provincial town in Latin America where they are booked to perform at a folk festival. Both of them are completely apolitical but are forced by external circumstances to take a political position. Toni falls in love with the daughter of an influential attorney but has to keep his love a secret. Meanwhile, Daniel learns about the atrocities committed by the Junta from the town’s residents.
The Imprint of Giants
Musician
The life of workers and their families in a construction site of a highway in 1965.
La triple muerte del tercer personaje
Sound Editor
Después de haber pasado una buena temporada en la cárcel, un hombre es perseguido por agentes internacionales que quieren darle muerte. Sin saber exactamente qué es lo que pasa, el protagonista se da cuenta de que lo quieren matar porque el libro que escribió sobre su estancia en prisión incluye unas claves secretas que no debían ser reveladas. Él, que lo hizo por azar, se da cuenta de que corre un grave peligro. Uno a uno, los personajes de la novela van siendo eliminados para que el misterioso secreto se mantenga en la sombra para siempre. (FILMAFFINITY)
Beto Nervio contra el poder de las tinieblas
Music
Narrada en tono de policial negro, su protagonista es un detective de historieta que es contratado en Subterra, un país de fantasía del mundo real por una pareja para investigar una serie de asesinatos, para lo cual concurre con Mark Dent, alias Super-Super, a Expovaca, una megaexposición internacional montada por los gobernantes para distraer al pueblo.