Kim Il-kwon

Mother disappeared. Son faces the truth that was hidden for thirty years. In 1983, a twisted love story among a woman, a revolutionary, and a fraktsiya unfolds.

The director follows the activities of those who are turning the zoo into a sanctuary for native wild animals. Establishing a sanctuary is the only way to save wild animals that cannot return to their natural habitats from being put down. The project was proposed by an employee of the Cheongju Zoo, and animal rights activists as well as the Chungnam Wild Animal Rescue Center and the Chonbuk Animal Medical Center joined to help.

During a high school music exam to assess the singing abilities of students, Songju shows off his rapping skills despite the blackboard in the background stating that pop and rap songs are not allowed. The teacher gives him an F on the test without saying anything. In the meantime, on one side of the classroom, Juyeon looks happy, watching Songju rap. He loves hip-hop as much as Songju does although these two come from completely different backgrounds. Songju is a troubled student living in a multi-house home in a less developed area while Juyeon is an exemplary student living in a fancy apartment in a rich village. Despite differences in grade, personality, and background, they decide to form a hip-hop duo called LIMECRIME.

This is a film about workers, a film about the poor who were dragged out of homes and about his father. Director Park films his father who has lived as a laborer all his life, his weakened body, and nine years of time flowing over it. Park brings an impartial view of his father’s life. His father does not try to impart a particular value in front of the camera. What remains is to wonder where this cruel reality comes from.

When her pregnant mother leaves home with her boyfriend, Yujin finds a job at a pizza shop. Thanks to the people she meets there, she is able to find stability and love. However, the relationship with the lover as well as the relationship with her mother are challenging, and things get increasingly complicated. Yujin thinks she’s ruining everything.

Park Dongsu is living on his own after leaving the disabled facility where he first started writing poems. While having a hard time writing poems, he buys a fish called “corydoras.” Looking at the fish for a long time, he falls asleep and dreams of where he used to live. Then he heads there to find traces of his poems.

The movie, which seemed likely to be a video study by a local researcher on comfort women in the military camp town, is becoming an increasingly fictional world, including visits by the dead, resulting in historical, fantastic and allegorical results.

Kisun, who is an administrative staff of a high school, one day becomes curious about a soccer club student, Jinsoo all of the sudden. Kisun’s ex-lover, Hyejin quits her job as a office lady and is busy renovating her mother’s small restaurant. Hyunsoo, the courier, is the only free brushing past these people and someone is watching all of this.

Wizdan lives in the rural village of Sebastia. Both their parents are olive farmers. With the expansion of Israeli settlements, Wizdan's and Nidal's parents are losing their farmland, but the problem is not theirs alone. But many Palestinians have been living in refugee camps for almost 70 years, and the fourth generation of refugees are growing up in refugee camps today. They struggle to guard their land despite repeated humiliation, and the film focuses on the resistance of such ordinary Palestinians including Wizdan's family.

There remains only silence in a US military camp town and the, soon to be demolished, surrounding entertainment district in the northern part of Kyounggi province. In the town, three ex-prostitutes live with pains engraved in their minds and bodies. This film poignantly shows pieces of their memories and their figures wandering through the forgotten site, and reveals the most pathetic truth left behind.

This film takes place during the winter of last year when there was a nationwide slaughter of livestock to put a stop to the foot-and-mouth disease. Filmmaker Yun witnesses hundreds of pigs buried alive in a neighborhood farm. She suddenly realizes that she has never seen a pig before, and decides to follow its life closely. Yun goes deep into the mountains to meet a pig farmer who raises his pigs in a traditional way. Observing the daily routines of the mother pig Ship-soon and her piglet Don-soo, Yun discovers new facts she has never known before. As she develops a bond with the lovely pigs and acknowledges another side of the farm and meat industry, it becomes more difficult for her to enjoy pork cutlets as she used to. And to make matters worse, her husband and young son, Do-young, are not making her choice of daily menus easier. As she falls into a deep dilemma, what is she supposed to do? Her awareness about eating meat begins to penetrate her every day.

A la salida de un bar gay, Yong-Ju reencuentra al que tiempo atrás fue su mejor amigo, que está intentando escapar de una banda que lo persigue. Este hecho casual acabará aspirando a los dos compañeros en una espiral de violencia y crispación. El microcosmos de un instituto sirve para retratar una sociedad en la que las minorías, las emociones y la amistad no parecen tener cabida.

Flight attendant Won-Gyu left Korea 2 years ago with painful memories and now comes back. Won-Gyu meets Tae-Joon, who is a quick service delivery man and has a special night with him.

Gangjeong Village, located at the southernmost part of Jeju Island's Seogwipo City, is in the true sense a 'breathtaking land of water.' In this film, eight directors independently yet collaboratively orchestrate a clever and humorous "mission" at this place where the groundwork for building a naval military base is in progress.

Kyung-min y Jong-suk son dos antiguos amigos de la infancia quienes, tras años separados, deciden quedar un día para recordar los viejos tiempos en el colegio y como entonces eran considerados "cerdos" por aquellos hijos de familias ricas, quienes se hacían llamar "perros". La jerarquía estaba clara y era imposible romperla, hasta el día que apareció Chul, un joven sin miedo que se autoproclamó el "Rey de los Cerdos" y decidió demostrar que para no vivir como un perdedor la única opción es convertirse en un monstruo.

This year is the 30th anniversary of the Gwangju Democratization Movement. Though the country commemorates the event as the official historical records, it does not include any 'real' accounts of the people who experienced it firsthand. The students who were part of the movement; the female vendors who made rice balls for the students; the female high school students cooked at the government building; now, past their middle age, they live as ordinary citizens in Gwangju city. How is the event remembered by these people?