Mária Daróczy

This film is a documentaristic dispute about the possibilities of young people to assert themselves, to make a career. Zsuzsa is a third-year university student studying pedagogy. She has been dating Zoltán for three years, and her thinking has been fundamentally shaped by this relationship. Yet now she would like to break up with him.

Péter and Pál, two notorious skirt hunters competing in wooing Oana, a pretty Romanian girl on the beach at Tihany. A couple of days later the girl gets a telegram saying that she has to leave for Bucharest immediately. The party - which has increased with Piri, the interpreter, and Ági, the hitch-hiker - gets to a Romanian village by Peter's ramshackle car, a 1921 Colymne. The car, however, breaks down.

The engineer Ambrus has been suspended in his job because he publicly called the attention of the customers to a construction mistake of some goods designed to be exported. His immediate boss learns the news on a business trip to Paris. He meets his old friend Lendvay, an emigrant from Hungary, and his French wife in a cellar bar. After their talk Benkő starts seeing things in a different perspective. When he returns home, he decides to take a stand for Ambrus against Ferenczi, the general director, despite his wife's and the old director's advice.

Andras Kovacs' film, considered one of the most important Hungarian films of the 1960s, centers around four men who await trial for their involvement in the massacre of several thousand Jewish and Serbian people of Novi Sad in 1942. Each denies any responsibility, claiming that they were only following orders. The film is significant for its willingness to address the subject of Hungary's role in WWII, which was taboo at the time of the its release.

Félix, a somewhat clod-hopping young man, finds himself in the Grand Hotel of Little Lagonda, barefooted and in pyjamas. He is soon followed by a hooded, fat and leggy gangster. This is all the more strange as the hotel is under quarantine with the pretext of a plague-epidemic, in order to make it a suitable ground for the negotiations of certain oil-companies.

The film is an interpretation of everyday life and privacy as well as the first love-triangle story after 1945. Benkő Lajos, the country librarian, is stationed in the capital. In lack of a suitable apartment, his wife and children have to stay in the country.