Music
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron
Compositors
The main character, Niko (Gia Peradze) returns home after neighbors insisted he be taken to the clinic for treatment of alcoholism. On his return home Niko trying to do something to initiate the case. He wanted to work with old friends. Along with his father Nick assures that the work has begun. Also attached to the unlucky thoughts about love. After Niko lives of seriously thinking about it, things change - it would offer the neighbor woman to live together, to work and caring for her family finds.
Music
A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…
Original Music Composer
Original Music Composer
Pirosmani es un pintor naif, que vivió hasta poco después de la revolución rusa. En vida no obtuvo ningún reconocimiento y sí algunas amargas decepciones y burlas; actualmente es un pintor primitivo conocido en todo el mundo.
