Tibor Dimény

The film tells the story of a regiment of Hungarian hussars stationed in Poland. The hussars, mostly ordinary men, have heard news of the uprising and wish to return to the homeland to defend the newly independent country. The Empire, on the other hand, is firmly resolved that all Hungarian troops in the imperial army should be kept as far away from the trouble spot as possible, knowing that most soldiers would be loyal to Budapest rather than Vienna.

Mr. Dezső and Rezső are selecting the heroes for their new operetta. They represent different tastes and styles, and keep arguing about the casting of the four boys and four girls.

On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.

Shot in 1972, this remarkable documentary was released ten years later and had its first Western film festival screenings last year. "Gyula Gazdag is an outstanding Hungarian talent who seems to specialize in getting into trouble. This film, which he made with Judit Ember, another alert and sensitive director, was banned for ten years. In it, a rural community is in financial trouble and an expert from Budapest is sent to advise and reorganize. He is successful but his manner angers the local committee. Despite their own management failure, they feel his arrogance should be the subject of a reprimand at least. The story is more than just true: so sure was the community of its cause that Gazdag and Ember were invited to film the actual debate, and the reality makes us protagonists in the case. It is a situation that could happen anywhere but seldom has such a subject been treated in so absorbing and striking a way.

The week-days of a youth-camp, playing democracy, are depicted in this documentarist satire. Due to faulty organisation, the Budapest high-school students get only working tools, but no work to do. The camp leadership tries to cover up facts and urges them to be initiated into "community life".

The film is a historic parable about the topicality of revolution. 1514. The peasants' uprising is over, Dózsa has been arrested. Werbőczy tries to get the imprisoned peasant leader deny the revolution and offers him the lives of his people in exchange.

Documentary about the Italian men that visit Hungary to meet girls and the Hungarian women that fall in love with them.

The young Valkó wants to plan a block of apartments that will still be modern fifty years from now. His ambitious plans are continuously rejected by his manipulative and careless superiors. So instead of the modern block of flats he only plans a bachelor apartment.