Dzhamal Khashimov

Películas

Look Out, Snake!
The Bodyguard
The setting is Central Asia during the Russian civil war. In the post-revolutionary twenties, when the power in European Russia was (officially) "fully in the hands of the workers and peasants", but the fight against the Basmachi rebels was in full swing. When a Red Army detachment captures Sultan Mazar, the brains behind the Bazmachi contingent, a decision is made to escort urgently the prisoner to the Bukhara province. The difficult mission is entrusted to a grizzled mountain trapper and conscientious revolutionary called Mirzo. His expertise is essential to traverse the precarious paths and steep mountain ridges along the way, impossible terrain for the inexperienced. A group consisting of Mirzo, his brother Kova, the Sultan, his daughter Zaranghis and slave Saifulla set off on this journey. They are forced to fight on the mountain ridges as well as negotiate the natural dangers and harsh elements.
Man Follows Birds
Man Follows Birds is a coming-of-age story of a young Uzbek poet surrounded by violence. Farouk is fascinated by trees and Khamraev films him with a lot of melancholy and tenderness. Cast apart because he’s poor and his father’s drunk, Farouk is not happy in his village. When his father dies, he decides to go in the mountains with his best friends. Looking for nature at its purest, the two teenage boys have to deal with the cruelty of violent barbarians. Their trip will also make them meet a lost orphan girl and a wise beggar.
Главный день
Without Fear
A Bolshevik army officer and Uzbek who has been nursed back to health by a young Uzbek woman to whom he is now married, gains responsibility for the local village in 1929. He is urged by comrades in Tashkent to have the local women drop their chadors and veils but he is also told that he should not force this on anyone. His wife declines to take off her veil, so a 14 year old girl steps forward to set the example, over the objections of the local Muslim clergy and most of the village men. After the girl is killed, and the commissar is shot, his wife takes him to the hills to nurse him back to health once again. She begs her husband to leave the village. Instead when he decides to return, she is pressured by her father to continue to wear the veil.
Red Sands
A desert-set war drama by Ali Khamraev