First Assistant Director
Assistant Director
Un joven judío en Polonia busca refugio en el bosque durante la Segunda Guerra Mundial, donde se encuentra con muchos personajes diferentes.
First Assistant Director
The Defenestration of Prague, which took place on May 23, 1618, was the decisive historical moment that unleashed the Thirty Years War (1618-1648) between several Catholic and Protestant states and changed the course of European history forever.
Assistant Director
Maureen, una joven estadounidense en París, se hace cargo del guardarropa de una celebridad. Aunque no le gusta su trabajo, es lo único que encontró para pagar su estancia mientras espera una manifestación del espíritu de Lewis, su hermano gemelo desaparecido hace poco. Maureen comienza entonces a recibir en su móvil extraños mensajes anónimos.
First Assistant Director
The congenial Vojta is bashful and his family is batty. His short-tempered father, who once failed to swim the English Channel, wants him to be a competing swimmer and his loving mother, a former child ice revue star, sees a talented pianist in her son. But Vojta has completely different priorities - most of all his red-haired classmate Ela, an enchanting synchronized swimmer who is leaving for Paris in November. If Vojta doesn't do something radical, and fast, Ela will disappear behind the Iron Curtain forever. The year is 1989.
First Assistant Director
First Assistant Director
“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.
First Assistant Director
Two young technicians, Filos and Kája, come to a small village that is a bit cut off from the rest of the world in order to find the best place to install a new station for the reception of a cell phone signal. Their arrival understandably arouses a feeling of expectation among the locals, especially when they learn of the interesting financial reward for the owner of the land on which the transmitter will stand. A fight flares up in the village over this reward, and all weapons, those permitted and those not, are put into use. Of course, there is also the question of whether Filos and Kája will be able to live up to the expectations that have been placed on them. Maybe they aren't even who they claim to be...
Second Assistant Director
Praga, Checoeslovaquia, durante el período de entreguerras. Jan Dítě, un joven y avispado camarero que quiere hacerse millonario, llega a la conclusión de que para alcanzar su ambicioso objetivo debe ser diligente, escuchar y observar todo lo que pueda, ser siempe discreto y usar lo aprendido en su propio beneficio; pero las turbulentas mareas de la historia se interpondrán continuamente en su camino.
Assistant Director
Assistant Director
Ice hockey is a Czech national obsession, and the country's victory over Russia in the 1969 World Championships, the year following the Soviet invasion, is a celebrated moment in its history. In Marek Najbrt's black comedy, the heroic exploits take place only on a black and white tv screen as a group of representative misfits gather and watch the game in a desolate village on the Czech border. While consisting of recognisable types, Najbrt's bleak portrait reveals a world of alcoholism, debt, racism, bigotry, and infidelity that trails behind the dreams of nationalism and bears little resemblance to the fantasies of the new consumerism. A clever and multi-levelled film, it provides a sharp antidote to the reconciliatory charms of the conventional Czech comedy.
