Herself
Documental que recorre la evolución del movimiento artístico feminista surgido en Estados Unidos durante la década de 1960. Su directora, Lynn Hershman Leeson fue partícipe activa de este movimiento y ha pasado 42 años documentándolo. A través de entrevistas íntimas, obras de arte provocativas y fragmentos de vídeos raramente vistos hasta ahora, nos acerca al que muchos historiadores e historiadoras consideran el movimiento artístico más significativo de finales del siglo XX.
Producer
The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...
Writer
The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...
Director
The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...
Ballerina
The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...
Director
In this work of documentary fiction, an archivist attempts to put together the "lost years" of Eleanor Antinova, the once-celebrated black ballerina of Diaghilev's Ballets Russes, when she returned to her native America to eke out a meager living in vaudeville and early cinema. Eleanor Antin uses fictional characters, autobiography, and narrative to invent histories and explore what she calls "the slippery nature of the self".
Eleanor Antinova
In this work of documentary fiction, an archivist attempts to put together the "lost years" of Eleanor Antinova, the once-celebrated black ballerina of Diaghilev's Ballets Russes, when she returned to her native America to eke out a meager living in vaudeville and early cinema. Eleanor Antin uses fictional characters, autobiography, and narrative to invent histories and explore what she calls "the slippery nature of the self".
Director
Part I: The artist, in the role of a nurse, fantasizes on romantic themes, using a set of foot-high, hand-painted paper dolls as actors. A fantasy within a fantasy. The "Nurse Eleanor" paper doll performs as a surrogate self for Nurse Eleanor Antin and is the much put-upon but brave heroine of a succession of romances with a dying poet, a biker, and a doctor. Part II: "Nurse Eleanor's" romantic odyssey continues with two new lovers — a French ski bum and an anti-war senator.
Television special of five episodes directed by Alfredo Di Laura dedicated to the exhibition "Attivo. Performance e Dibattiti" curated by Tommaso Trini.
Director
The artist explores make-up as a traditional mode of self-expression, using it to find a representation of herself with which to face the world.
