Himoud Brahimi

Himoud Brahimi

Nacimiento : 1918-03-18, Alger, Algérie

Muerte : 1997-06-30

Perfil

Himoud Brahimi
Himoud Brahimi
Himoud Brahimi

Películas

Ombres Blanches
Le Clandestin
Hassan
Nine people with Abdullah Le Clandestin (Illegal Taxi), in one car, on the way to Algiers.
Cry of Stone
Salah
Directed by Abderrahmane Bouguermouh.
Sandstorm
Seen right through the sandstorms that rack the lives of a tribe living on a desert oasis, is a subtle and not-so-subtle mistreatment of the female members of the tribe - tribal chiefs have the right to be the first to deflower virgins, and single or widowed mothers must walk a narrow line of behavior restrictions that do not apply to their male counterparts. Both genders, however, fight the brunt of the harsh desert winds together.
The Olive tree of Boul'hivet
Directed by Mohamed Nadir Azizi.
Viva Didou!
Poem
Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.
Viva Didou!
Dialogue
Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.
Viva Didou!
Momo, Le poète
Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.
Heart of the Casbah
Maria Pilar is the second wife of a gangster of Algiers who has just been arrested. Michel, her husband's son by a first marriage, arrives in Algiers, the town in which he was born but that he left long ago. Charmed by the teenager, his stepmother soon feels a burning passion for Michel. Michel tries to defend himself, but in vain. When he falls for young Sylvie, Maria Pilar gets beside herself with rage.
Daughter of the Sands
The jester
This Moroccan romance is a kind of Arab Tristan and Isolde: the heroine kills herself when she is convinced no one cares for her, the young nobleman she thought would love her is killed by a madwoman.