Editor
Reviewing the pursuit of democracy within the U.S. on the anniversary of the 2021 Capitol riot.
Co-Director
Audrey Flack has always been a trailblazer. Now, she returns to her canvas for the first time in decades, revealing her longtime struggles as an artist and mother to find her rightful place in the art world. Queen of Hearts is a moving portrait of a woman who is still testing, still experimenting, still searching.
Editor
En 1962, los cineastas Alfred Hitchcock y François Truffaut se encerraron para tener una larga conversación de cincuenta horas y quinientas preguntas sobre el cine del maestro del suspense. Hitchcock se encontraba en la cima de su creatividad, y Truffaut ya había hecho Los 400 golpes y Tirad sobre el pianista. El resultado fue el libro El cine según Hitchcock, un texto imprescindible para los amantes y estudiosos del séptimo arte.
Editor
Nathan Lane portrays a comic from the 1930s who plays gay men for laughs. Originally Episode 2 from Season 40 of Live From Lincoln Center on PBS.
Co-Producer
Documental en el que Martin Scorsese, con la ayuda del crítico Kent Jones, evoca su infancia y juventud en el barrio neoyorquino de la "Little Italy" a través de las películas de Elia Kazan. Fue presentado en el Festival de Venecia 2010. (FILMAFFINITY)
Editor
Documental en el que Martin Scorsese, con la ayuda del crítico Kent Jones, evoca su infancia y juventud en el barrio neoyorquino de la "Little Italy" a través de las películas de Elia Kazan. Fue presentado en el Festival de Venecia 2010. (FILMAFFINITY)
Editor
Este documental repasa cronológicamente las películas norteamericanas de temática gay/lésbica, desde los precursores de mediados del siglo XX (como Fireworks, de Kenneth Anger) hasta documentales como Tarnation (Jonathan Caouette, 2004) o producciones “major” como Brokeback Mountain (2005). Entre los que opinan están directores como Todd Haynes (Velvet Goldmine), Gus Van Sant (Mi Mundo Privado), John Cameron Mitchell (Shortbus), Ang Lee (Brokeback) y John Waters (Pink Flamingos).
Editor
In an economically struggling small town, Jenny, a young married woman, begins an affair with June, her college-bound, African-American neighbor.
Writer
In an economically struggling small town, Jenny, a young married woman, begins an affair with June, her college-bound, African-American neighbor.
Director
In an economically struggling small town, Jenny, a young married woman, begins an affair with June, her college-bound, African-American neighbor.
Production Manager
A woman is hired to transcribe an ancient Chinese manuscript. She finds that little by little, the manuscript has powers that begin to take over her life.
Writer
"The Riverbed traces the story of a despondent drifter who stumbles across a farmhouse inhabited by a wealthy widow and her disabled daughter. Exchanging board for labour, he stays at the house. Eventually he consents to the mother's wish that he marry the girl, with his eye on financial gain. He takes the girl to the city, where the couple struggles against hardship. As the man reverts to petty theft, her health deteriorates and he is forced to take her back to the now-abandoned farmhouse." - MIFF
Director
"The Riverbed traces the story of a despondent drifter who stumbles across a farmhouse inhabited by a wealthy widow and her disabled daughter. Exchanging board for labour, he stays at the house. Eventually he consents to the mother's wish that he marry the girl, with his eye on financial gain. He takes the girl to the city, where the couple struggles against hardship. As the man reverts to petty theft, her health deteriorates and he is forced to take her back to the now-abandoned farmhouse." - MIFF
Writer
"A young woman settles into her new life in New York City, overwhelmed by the crowds and wary of human contact. Shot in moody black and white collaging a visual language reminiscent of film noir, art horror, and street photography of the 60's and 70's, Rachel Reichman’s short film exemplifies the return to narrative in independent filmmaking following the structuralist experiments of the 1970s." - MoMA
Director
"A young woman settles into her new life in New York City, overwhelmed by the crowds and wary of human contact. Shot in moody black and white collaging a visual language reminiscent of film noir, art horror, and street photography of the 60's and 70's, Rachel Reichman’s short film exemplifies the return to narrative in independent filmmaking following the structuralist experiments of the 1970s." - MoMA
