Himself
Performance artist Tehching Hsieh returns, at the age of sixty-five, to the original sites of his performances in Taipei and New York, making a meditation on the resonances of these far-sighted works. Presented at the Taiwanese Pavilion at the 57th Venice Biennale.
Self - Performance Artist
Un relato de las muchas tribulaciones que el artista chino Ai Weiwei, conocido por su arte subversivo y su activismo político, hubo de soportar entre 2008 y 2011, desde su ascenso a la fama mundial a través de Internet hasta su muy publicitado arresto debido a sus audaces y frecuentes enfrentamientos con las autoridades chinas.
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents. He moved around New York City with a packbag and a sleeping bag.
Director
For one year, Tehching Hsieh punched a worker’s time clock located in his studio, on the hour, every hour. Marking the occasion by taking a self-portrait on a single frame of 16mm film, the resulting reel documents a year in his life at approximately one second per day – a pace that is polar opposite of the enduring length of the original performance. The punch cards, witnessed by a third party for authenticity, and other ephemera, document Hsieh’s life restructured around this highly repetitive task.
For one year, Tehching Hsieh punched a worker’s time clock located in his studio, on the hour, every hour. Marking the occasion by taking a self-portrait on a single frame of 16mm film, the resulting reel documents a year in his life at approximately one second per day – a pace that is polar opposite of the enduring length of the original performance. The punch cards, witnessed by a third party for authenticity, and other ephemera, document Hsieh’s life restructured around this highly repetitive task.
