Sylvano Bussotti

Nacimiento : 1931-10-01, Florence, Tuscany, Italy

Muerte : 2021-09-19

Películas

Verdi: Simon Boccanegra
Production Design
The dashing corsair Simon Boccanegra and Maria, daughter of the nobleman Jacopo Fiesco, have fallen in love and had an illegitimate daughter. The child has disappeared from her foster-home. Boccanegra returns to Genoa to break the news to Maria, and learns of her death as a crowd, led by the plebeian Paolo Albiani, proclaim him Doge of Genoa. Performed at the Teatro di San Carlo, Torino on October 10th, 2017.
Verdi: Simon Boccanegra
Director
The dashing corsair Simon Boccanegra and Maria, daughter of the nobleman Jacopo Fiesco, have fallen in love and had an illegitimate daughter. The child has disappeared from her foster-home. Boccanegra returns to Genoa to break the news to Maria, and learns of her death as a crowd, led by the plebeian Paolo Albiani, proclaim him Doge of Genoa. Performed at the Teatro di San Carlo, Torino on October 10th, 2017.
Biennale Apollo
Director
A short Venice-set musical
RARA
Director
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.
Book of Saints of Eternal Rome
A (temporary) leave of many friends who are my truest world, with the attempt of getting them together in an ideal summary conceived to support me during my being far away. –A. L.
Après la Passion selon Sade
Après la Passion selon Sade
Screenplay
Après la Passion selon Sade
Original Music Composer
Bis
In 1966, Bene presented The Pink and the Black, his successful theatrical adaptation of Matthew Gregory Lewis’ lurid Gothic novel from 1796. Experimental filmmaker Paolo Brunatto filmed some of the play’s rehearsals in a Rome apartment (also frequented also by the Living Theatre). Bene's artistry is encapsulated in one sentence: “One cannot continue to prostitute the idea of theatre, which stands only for a magical, brutal link with reality."