David Sutherland

A 5 hr documentary about Robin Charboneau, a single mother, Oglala Sioux woman, living on the Spirit Lake Reservation, ND. Sutherland follows Robin over 3 years as she struggles to keep her two children, further her education, and heal herself and her daughter from the wounds of sexual abuse they suffered as children.

Country Boys is a 6-hour documentary film centered on Cody Perkins and Chris Johnson, two teenage boys from David, Kentucky. They attended the David School, a non-denominational alternative high school with a mission to serve underprivileged and struggling students. The film covers the 3-year period from 1999 to 2002 in which the boys' ages range from 15 to 18. It was directed by David Sutherland. It was a three-part edition of Frontline on PBS, with each part running for two hours, originally broadcast in January 2006.

"The Farmer's Wife" takes us deep inside the world of Juanita and Darrel Buschkoetter, a remarkable young Nebraska farm couple, to tell a compelling love story. It follows the Buschkoetters over three years as they face seemingly insurmountable economic hardship, only to confront an even greater challenge: repairing their damaged marriage. What emerges is an epic story of faith, perseverance, and triumph, and an indelible portrait of a real American family's struggle to hold onto their dreams, and to each other.

America may be ready for a blind woman who has a career or is raising a family, but is it ready for a blind woman who doesn't conform to the norms of proper behavior?

The personal development of George Washington is the focus as Producer David Sutherland brings to life a uniquely human Washington who transformed himself from social climber into a patriot willing to give up everything for a higher cause.

The personal development of George Washington is the focus as Producer David Sutherland brings to life a uniquely human Washington who transformed himself from social climber into a patriot willing to give up everything for a higher cause.

When restoration experts at Washington's National Gallery of Art began cleaning up their Renaissance masterpiece The Feast of the Gods, they discovered their "Bellini" is not what it appears to be -- that significant portions were altered and repainted sometime shortly after the master's death. Who would have dared tamper with the great man's work? And why? Experts set about solving the Bellini whodunit through use of X-rays, paint analysis, computer simulations, and other forms of latter-day techno-snoopery.

When restoration experts at Washington's National Gallery of Art began cleaning up their Renaissance masterpiece The Feast of the Gods, they discovered their "Bellini" is not what it appears to be -- that significant portions were altered and repainted sometime shortly after the master's death. Who would have dared tamper with the great man's work? And why? Experts set about solving the Bellini whodunit through use of X-rays, paint analysis, computer simulations, and other forms of latter-day techno-snoopery.

This bold and unconventional film portrait reveals America's foremost Social Realist painter doing what he does best: skewering corrupt politicians and police, raging over social injustices, and satirizing the petty foibles of humankind. Jack Levine got his professional start during the Federal Art Projects of the WPA, and quickly became world famous for his brilliantly painted, brutally ironic vision of America and the world. He is the only American artist who never stopped painting as a Social Realist, even when it went out of vogue in the 1950's and 1960's. "I'm alone at the old stand. . . I feel I still have something to say. . . Let the avant garde go hang-the human condition is what interests me." A self-imposed 'outsider', Levine has deliberately cut himself off from the mainstream: "I'm like the little dog at the circus who runs the wrong way under the hoop."

This bold and unconventional film portrait reveals America's foremost Social Realist painter doing what he does best: skewering corrupt politicians and police, raging over social injustices, and satirizing the petty foibles of humankind. Jack Levine got his professional start during the Federal Art Projects of the WPA, and quickly became world famous for his brilliantly painted, brutally ironic vision of America and the world. He is the only American artist who never stopped painting as a Social Realist, even when it went out of vogue in the 1950's and 1960's. "I'm alone at the old stand. . . I feel I still have something to say. . . Let the avant garde go hang-the human condition is what interests me." A self-imposed 'outsider', Levine has deliberately cut himself off from the mainstream: "I'm like the little dog at the circus who runs the wrong way under the hoop."

In this intimate film portrait, artist Paul Cadmus, makes a nude drawing of his long time companion, demonstrates his mastery of egg tempera painting and recounts his past as a prominent American scene painter and controversial social satirist.

The latest film from acclaimed filmmaker David Sutherland (Kind Hearted Woman, Country Boys, The Farmer's Wife), Marcos Doesn't Live Here Anymore examines the US immigration system through the lives of two unforgettable protagonists whose lives reveal the human cost of deportation.

The latest film from acclaimed filmmaker David Sutherland (Kind Hearted Woman, Country Boys, The Farmer's Wife), Marcos Doesn't Live Here Anymore examines the US immigration system through the lives of two unforgettable protagonists whose lives reveal the human cost of deportation.

The latest film from acclaimed filmmaker David Sutherland (Kind Hearted Woman, Country Boys, The Farmer's Wife), Marcos Doesn't Live Here Anymore examines the US immigration system through the lives of two unforgettable protagonists whose lives reveal the human cost of deportation.