The four young Scandinavian women Helene, Marte, Pauline and Wilde are all fat, and they’re not ashamed of it. They are part of a growing fat-activism movement that supports fat women and fights for body positivity and inclusivity. The message is that you’re beautiful just as you are. The women connect and support one another at group activities and outings.
A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.
Beyond That Wasteland is a poetic depiction of being in a borderland, in the wake of the disaster. A place where one is forced to stay awake in order not to perish. It is a timeless ninja epos about facing an ultimate, life-changing decision - to resist or surrender.
Beyond That Wasteland is a poetic depiction of being in a borderland, in the wake of the disaster. A place where one is forced to stay awake in order not to perish. It is a timeless ninja epos about facing an ultimate, life-changing decision - to resist or surrender.
Beyond That Wasteland is a poetic depiction of being in a borderland, in the wake of the disaster. A place where one is forced to stay awake in order not to perish. It is a timeless ninja epos about facing an ultimate, life-changing decision - to resist or surrender.
