Yu Fei
El antiguo apartamento de los padres de Muzi todavía está allí. Una cama, una silla abandonada, una ventana que se cae de las bisagras: los restos de una relación que ha avanzado. Su padre ha formado una nueva familia, su madre tiene amigos en el extranjero; parece que solo Muzi se preocupa por este lugar. En The Cloud in Her Room, deambula varias veces por este pasado estático.
Younger Man
Cuando muere su padre, Leo interrumpe sus estudios de diseño de moda en Londres y regresa a su ciudad natal Gijón, donde vive su excéntrica madre María. En una ciudad que experimenta una recesión con turistas que disminuyen después de una crisis económica, la madre y la hija llevan una vida incómoda.
Director
Late at night, the oven next to the bed ticks a countdown and a woman cries out to her brother the "future." Today is her brother's birthday; he is not there. Another woman arrives and takes out a white bone from the oven and takes it into the woods at night.
Director
In an open space under an overpass on the edge of a city, a group of young people who don’t know each other gathered together. Like urban exiles, they held a ceremony to pass and watch the bones in front of a bonfire.
Cinematography
Contemporary Shanghai, the young gathering. A mega-structure under rapid development. Ubiquitous screens, fragmented materiality, masked crowd. We keep performing ourselves hard. Living in a space-time construction created by the times and us. Seeking for blending in and communication In many moments. We have no clue in which layer of space are we in: Virtual space, dream space, daily space, urban space, bodily space, cellphone space, social space.
Editor
Contemporary Shanghai, the young gathering. A mega-structure under rapid development. Ubiquitous screens, fragmented materiality, masked crowd. We keep performing ourselves hard. Living in a space-time construction created by the times and us. Seeking for blending in and communication In many moments. We have no clue in which layer of space are we in: Virtual space, dream space, daily space, urban space, bodily space, cellphone space, social space.
Writer
Contemporary Shanghai, the young gathering. A mega-structure under rapid development. Ubiquitous screens, fragmented materiality, masked crowd. We keep performing ourselves hard. Living in a space-time construction created by the times and us. Seeking for blending in and communication In many moments. We have no clue in which layer of space are we in: Virtual space, dream space, daily space, urban space, bodily space, cellphone space, social space.
Director
Contemporary Shanghai, the young gathering. A mega-structure under rapid development. Ubiquitous screens, fragmented materiality, masked crowd. We keep performing ourselves hard. Living in a space-time construction created by the times and us. Seeking for blending in and communication In many moments. We have no clue in which layer of space are we in: Virtual space, dream space, daily space, urban space, bodily space, cellphone space, social space.
Director
This is a film made from multiple cut-and-spliced together versions of ‘Chen Zhou’. The creations of ‘Chen Zhou’ derive from the many projections of him produced by his close friends. Using examples of actual conversations with artist friends such as Li Ming, Li Ran, Yu Honglei, they explore his daily life, a ‘Chen Zhou’ form of dialogue, which is then interpreted by two twins (two other Chen Zhous). A crazy person dressed all in white met by chance on the street carries out an improvised performance during the film – he is like the uncontrollable inside of Chen Zhou. The fictional Jack, and even Godard convey iconographic versions of Chen Zhou. All of these fragments put together a sorrowful picture of a ‘burial’. More accurately it is like a bare mirror that helps you to see both the film as well as a ‘Chen Zhou’ that could be somewhere in your heart.
