Shunya Itabashi

Sarya lives between three worlds: Having fled from Turkey to Japan, her small family tries to maintain their Kurdish traditions. On the other hand, Sarya, who arrived when she was five, feels at home in Japan. But then, the family loses its refugee-status. Life becomes unpredictable and their days in Japan seem numbered. A haunting story about the balancing act of finding your place in the world.

Secuela de Kaguya-sama: Love Is War (2019)

Barefoot and her friends decide to make a samurai movie, gather a unique cast and staff for the production, and try to screen it at their school festival.

Un hombre desnudo y ebrio aparece en directo en una televisión japonesa en plena celebración de la festividad de Namahage, en la que hombres disfrazados de ogros irrumpen en las casas para asustar a los niños y que se porten bien todo el año. Tasuku, un joven padre, es condenado al ostracismo por avergonzar al pueblo y su tradición y huye a Tokio solo. Dos años después regresa al pueblo para intentar arreglar las cosas con su exmujer y su hija pero se encontrará con una situación muy dura.

At midnight, in a residential area of Osaka, a middle aged man is murdered. The person who killed the man is a high school student. En is a 2nd grade high school student. She spends her boring days with her friend Kotoko, who tends to change boyfriends frequently. Kotoko falls in love with Narihira at first sight. Narihira is a soccer player at their high school. Since then, the relationship between En and Kotoko changes.

To reward himself for his new teaching gig in Sapporo, 29-year-old Manabu decides to celebrate New Year's Eve with a little treat at a local sex club. On the verge of... climaxing, he's struck by a brain hemorrhage and ends up buck naked at the hospital surrounded by his worried family who want to know how this happened.

A family believes they are aliens from other planets and tries to save Earth from impending calamity.

A man with a wife and child attempts to run off with a hostess, but he doesn’t show up at the place they agreed to meet. The hostess continues to wait fully aware he won’t come. Then a man calls out to her…. “The Dork, The Girl, and The Douchebag,” the latest film in three years by OKUDA Yosuke who made his commercial film debut with “Tokyo Playboy Club” (11), is a powerful ensemble drama intertwining a drug dealer, a yakuza, an ex-convict youth, and others. It can be said the film inherits the setting of his previous work, but the intense realism exhibited in the raw chaos far exceeds the previous film and amply points to OKUDA’s future potential. Portraying the complex male character who only lives for violence, OKUDA’s talents as an actor should also not be overlooked.